What if your worst fear wasn’t being forgotten—
but being the only one who remembers?
By J.S. Matkowski
I woke up and the world had no name.
The coffee still brewed at 7:04. The cat—mine, apparently—rubbed its head against my ankle like it had done forever. The dishes were in the sink, the blinds were half-drawn, and the phone buzzed with a dozen notifications. But when I picked it up, every contact had been replaced by a string of numbers.
No names. No photos. No memories.
At first, I thought it was a glitch. A weird system update or blackout. But when I looked in the mirror and said my name aloud, something shifted behind my eyes—a pressure, a tension. The sound of my own name sounded like a question. Not a declaration.
"Jason," I said again, slower this time. "My name is Jason."
Nothing. The mirror didn’t recognize me. My reflection looked like someone trying to believe something already lost.
The street outside was eerily normal. People walked dogs. Mail trucks beeped their tired reverse songs. Someone was jogging with a water bottle slapping rhythmically against their thigh. But when I stopped a woman and asked her name, she blinked like I’d asked her to solve an equation.
"I don’t know," she said, then smiled. "Isn’t that funny?"
I laughed. It wasn’t funny.
I walked ten blocks in search of something—anything—that would tell me this was a dream. A billboard, a nameplate, a gravestone, an ID badge. But everything was blank. White squares where advertisements used to be. No street names. No graffiti. Even the sky looked stripped of language.
And yet, I remembered.
I remembered the day my daughter was born—Anna. I remembered how her hand fit inside mine the day I walked her to school in a pink raincoat. I remembered the night I screamed into my steering wheel after the divorce, gripping the leather so hard my hands blistered. I remembered the scent of my father’s aftershave when he tucked me in when I was five—musk, cedar, and slow decay.
I remembered pain.
That was the worst part. Nobody else seemed to.
No one panicked. No one missed anyone. They had no idea what they’d lost because they didn’t know they had anything to begin with.
And I… I remembered it all.
It was like drowning in a sea where no one else knew water existed.
I tried going to the police. A pale man in uniform offered me a clipboard and a cup of coffee, but when I asked if he could look up missing persons—hundreds, thousands, everyone—he just stared.
"Do you remember your family?" I asked.
He smiled faintly, then looked down at his badge, where even his name had been sanded to a smooth brass oval.
"No one’s missing," he said. "Everyone’s here. Isn’t that enough?"
I stood in the lobby while a woman behind the glass hummed an unfamiliar tune, stamping blank forms with machine precision. It all looked so civil. So completely wrong.
I backed out of the building, stood in the sunlight that felt too clean, too curated—and laughed. Laughed like someone watching the last frame of the film burn away in the projector.
"This isn’t what I signed up for," I muttered to no one. To the sky. To God. To memory.
But the silence didn’t answer.
***
Days passed. Maybe weeks. Time moved, but I could no longer feel its rhythm. I became a ghost haunting a party I was never invited to. I wandered cafes and libraries where people typed aimlessly, read blank books, or stared at digital screens filled with neutral expressions and untraceable symbols.
I began to lose things too. Not memories, but meaning. Words fell from my mouth and landed dead. I would say, "love," and no one flinched. I whispered "death," and a barista smiled politely and asked if I wanted cream.
I once cried in the cereal aisle of a grocery store when I found a box of Apple Jacks. It reminded me of Saturday mornings with Anna. But the cashier just blinked as I paid, like I was a glitch in her algorithm.
It wasn't until I stumbled into the west end of the city—past the subway tunnels, the forgotten gardens, the edge where industry kissed wilderness—that I saw her.
A girl. Eight or nine. Alone. Sitting cross-legged on a piece of cardboard, drawing shapes into the dirt with a stick.
She looked up at me.
"You remember too," she said.
My throat closed. I dropped to my knees.
"What’s your name?" I asked.
She didn’t answer. Instead, she held out a notebook—lined, worn, smudged with charcoal and tears. Inside were names. Thousands of them. Drawings of faces. Pages filled with colors and dreams and fragments.
She had been writing the world back into being.
Her fingernails were bitten. One tooth was missing. She wore a hoodie two sizes too big with the word "Echo" barely visible across the faded chest. Maybe that was her name. Maybe it was just the last word she remembered.
I sat beside her and began to write too. The name of my daughter. The smell of cinnamon at Christmas. The ache behind my ribs the night I learned what loneliness really was.
We wrote until dusk. Then we built a small fire and read the pages aloud like prayers.
That night, I dreamed the stars blinked back into the sky. One by one. Like they, too, were remembering.
***
We kept returning. Each night. Each afternoon. Sometimes with others who felt a flicker of something they couldn't explain. They didn’t remember yet, but they could feel. That was enough.
Our circle grew. Not by force, but by ache. People who'd begun waking with tears they couldn’t name. People who held our notebooks like relics and whispered old words like they were learning to breathe.
One man remembered music. He built a drum from a trash can lid and called it mercy. A woman painted grief in blue spirals on the sidewalk. Children began singing names to the wind.
Not all stayed. Some returned to the numbness, afraid of the weight. I didn’t blame them. Remembering hurts.
But for those who stayed, we built a chapel from junk and prayer and memory. It wasn’t holy in the traditional sense. There were no pews. No doctrine. Just stories.
The girl, now known by all as Echo, wrote a new book. She filled it with every remembered thing. It was sacred. Not because it was divine, but because it was true.
And as I sat in that chapel of salvage and sound, I realized something:
We are not saved by forgetting.
We are saved by remembering.
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Well done, J.S., and congratulations on the shortlist!
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That made me tear up.
"We are saved by remembering."
That makes me sad, because i have crappy memory and a huge fear of mine if that i'll forget everything and everyone
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Pinned Author Response — When the World Forgot Me
By J.S. Matkowski
I wanted to take a moment — and perhaps this is more for me than for you — to sit with what you’ve each given me through your words here. It’s one thing to write a story in the solitude of late hours, where memory feels like both a burden and a prayer. But it’s another entirely to watch those words find echoes in other hearts. That is its own kind of grace.
To Story Time — that phrase a chapel of salvage and sound came unexpectedly, almost as though it didn’t belong to me, but to the story itself. Sometimes words arrive like that: gifted. Your recognition of it means more than you know.
To Shauna Bowling — you saw beneath the surface of the narrative to one of its quieter, trembling threads: the idea that restoration may lie not in forgetting the pain but in reclaiming the memory — not only for ourselves, but for what we’ve done to one another, to the world entrusted to us. Thank you for standing in that space with me.
To Alexis Araneta — thank you for walking willingly into the emotional weight of this piece. So much of it lives in that fragile space where ache and beauty cohabitate. I’m grateful the imagery didn’t simply decorate the story for you — but carried you through it.
To Daniel P. Douglas — sometimes a simple congratulations is exactly the small hand we need reaching through the fog. I receive yours with true gratitude.
To Mary Bendickson — string memories together — what a perfect turn of phrase. That is, in many ways, precisely what this story became: gathering scattered fragments and quietly stitching them back into something that breathes again. I look forward to your return read.
To John Rutherford — your brief congratulations still carry weight. Thank you for pausing, for reading, for speaking.
To Scott Christenson — your reading saw through the first layer to the deeper meditation I was chasing: that question of who we are without names, without story — and how even in that void, the hunger to remember becomes a kind of salvation. You didn’t just read the words; you heard the silences between them.
Writing When the World Forgot Me was, for me, a kind of personal exorcism — an act of wrestling with that strange fear: not of being forgotten, but of being the only one who remembers. And yet, your reflections here remind me that memory — shared — is what saves us.
In the end, we are not saved by forgetting.
We are saved by remembering.
Thank you for remembering with me.
— J.S. Matkowski
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A chapel of salvage and sound is such an amazing phrase, and the piece is full of these. This is writing with a capital "W" and I'm glad it was acknowledged.
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This story is laced with eeriness and hope converging into a world that can be restored through memories. Perhaps we could undo the damage we've done to our planet and each other by awakening positive memories and putting them to good use.
Great story and congrats on making the shortlist!
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This was stunning! I loved this exploration into emotions, even the painful ones. Incredible use of imagery and engaging storytelling. Lovely work !
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Congrats on the shortlist.🎉 Will return to read later. Welcome to Reedsy.
Where do you start when everything is erased? String memories together.
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Congratulations
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This is a really great story, with a fascinating premise. What are we humans without a name, without an identity? The church of memory they built at the end was a brilliant ending. For a while, I was wondering it this was a metaphor about memory loss, but then at the end it felt like something grander. Well done!
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