Submitted to: Contest #316

The Booth by the Window

Written in response to: "Write a story that includes the line "Can you keep a secret?" or “My lips are sealed.""

Crime Fiction Suspense

Rain pinned the town down like a hand on a throat.

The diner glowed warm, pale blue lights smeared by the wet glass.

Coffee steam rose in slow ropes, sweet and bitter at once.

A jukebox hummed a tired tune from some lost year.

Neon buzzed and flicked above the pie case, patient and cheap.

My booth had a view of the lot and the road.

Trucks slid by with low growls, water kneeling under their tires.

I held a chipped mug and watched drops race the glass.

The bell over the door rang once, then swung on a chain.

She stepped in, shook off her hood, and looked right at me.

She was maybe thirty, hard to tell in that blue light.

Dark hair stuck to her cheek like wet thread on skin.

A bruise shadowed her throat, dark and the size of plum.

She walked straight to my booth like we had planned it.

She did not ask if the seat was free or taken.

Her hand pressed the vinyl like she needed to feel ground.

“Can you keep a secret?” she asked, voice small and dry.

The question was a key slid into a lock.

I did not look away from the rain or her eyes.

“Yes,” I said, and I meant it even then.

She sat across from me and tucked her hair back.

Her jacket dripped onto the floor and made small moons.

The waiter, a thin kid, dropped off water and left.

He looked once at her throat and once at me.

The jukebox found another old song and kept the beat.

“My name is Lina,” she said, and then shook her head.

“Forget that. Names do not help with secrets like this.”

I nodded and drew the mug close to my chest.

A coffee ring stained the table like a handprint.

Outside, thunder rolled low, like a dog in sleep.

She set a small tin on the table between us.

It looked like a mint tin, dented and dull.

She touched it with her finger like a prayer.

“It is all in here,” she said without moving her hand.

“Not paper. Not cash. Just proof that will not fade.”

I watched the tin, then watched her face instead.

Her eyes were the gray of the lot at night.

They had that look of someone still hearing a shout.

“What kind of proof?” I asked, voice steady and plain.

“The kind that ends a lie,” she said and took breath.

“The kind that cuts a chain and leaves a mark.”

The waiter slid by with a plate for the counter.

Eggs bled into toast under a weak red lamp.

The bell over the door rang again, softer this time.

A couple came in, shook off rain, and took stools.

The town went on around us, like a hand wave.

Lina spoke again, words slow, each one weighed in turn.

“I was thirteen when he moved into our house,” she said.

“My mother said love can fix a man like him.”

“She said men like him only need a soft touch.”

“She said I should be kind or he would leave.”

Her mouth pulled tight at the corner, then eased.

“She was wrong,” she said, and the words had iron.

“He was a man who liked girls who could not fight.”

“He liked when fear sat on your chest and smiled.”

I did not move, not even to sip my drink.

The rain hit harder, tried to press through the glass.

The neon sign flicked, then kept its weak blue glow.

The jukebox scratched, then found the song’s next verse.

Lina went on, as if she had rehearsed breath.

“He had a scar across his cheek like a hook.”

“He wore a silver ring shaped like a snake.”

“He had a tattoo on his wrist, a small spade.”

“He said it meant luck, but he lied about that.”

“He lied about most things, except what he wanted.”

“He wanted us quiet and still and always near.”

Her eyes moved to my mug, then to my hands.

“You look like someone who knows about quiet,” she said.

“I am a quiet man,” I said, and that was true.

“Good,” she said, and the word hung like a light.

“I found him tonight at the river by the bridge.”

“He was drunk and loud and proud of his luck.”

“He said my mother made him leave after the fight.”

“He said he needed cash and a warm bed soon.”

“He said I owed him for all that home gave.”

“He said I would be the one to pay tonight.”

Her voice did not shake. It did not reach for pity.

There was only the beat of rain and her words.

“I told him no,” she said, and the word had teeth.

“He laughed and grabbed my arm and dragged me down.”

“He said no is cute when you are small and weak.”

“He said no is just a game before the yes.”

“I saw the river move like black glass with veins.”

“I saw the bridge lights throw coins onto the water.”

“I picked up a rock and hit his head once.”

“He let go, then grabbed again, and I hit twice.”

“He slipped on the wet stone and struck the guard rail.”

“He looked so shocked, like the river had spoken first.”

“He fell in headfirst and the dark pulled him fast.”

“I did not jump after him. I stood and watched.”

The kid at the counter laughed at something on his phone.

The couple spoke about wet socks and a broken wiper.

The diner smelled like butter, coffee, wet wool, and coin.

I kept my hands still and felt heat rise along my jaw.

“Then what is in the tin?” I asked, eyes on hers.

She slid the tin toward me with her shortest finger.

I did not touch it. I wanted her words first.

“The ring,” she said. “The snake ring. It came off.”

“I took it from the ledge where his hand hit.”

“I thought I would throw it in, but I did not.”

“I put it in my pocket and ran through the rain.”

“I came here because I knew who would be here.”

My heart beat hard against the mug, a small drum.

Something cold moved down my spine, slow as honey.

“Who did you expect?” I asked, though I had a guess.

“You,” she said. “The man who sits quiet and watches.”

“The man who looks like he holds his breath often.”

“The man who would know a snake ring on sight.”

I let out the breath I had been holding tight.

“My sister wore a chain with a small blue bead,” I said.

“She had a scar on her wrist and an old bite.”

“She told me a man with a snake ring hurt her.”

“She told me he had a spade tattoo on his wrist.”

“She told me she would never tell our mother his name.”

“She said no one would believe her without proof.”

“She was right about that last thing, at least.”

Lina watched me, read the lines in my face like script.

“I am sorry for her,” she said, and her voice softened.

“I am sorry for the girl I was, and the girls.”

“But I am not sorry for the river or the rock.”

“I am not sorry for the fall or the hard water.”

“I am not sorry that he went down into the dark.”

I reached for the tin, warm from her hand.

It felt light for a thing that could end lies.

I flipped the lid with my thumb and looked in.

There lay the ring, gray and still, snake head raised.

The eyes were two small pits that caught the light.

The band had grit in the grooves and a dark smear.

I shut the lid and kept my hand on it.

“Someone will come,” I said, and it was not a threat.

“Someone always comes when the rain slows a bit.”

“They will ask if anyone saw a man near the bridge.”

“They will ask if anyone heard a shout by the bank.”

“They will ask about a girl who ran through the dark.”

“They will ask about a snake ring and a spade.”

“I know,” Lina said, and she did not look scared.

“I know the questions and the men who ask them.”

“I know the look they give girls like me at night.”

“I came here to ask you one thing first,” she said.

Her hands were open on the table, small and scarred.

“Can you keep a secret?” she asked once more, softer.

The bell rang again. The door swung and the air cooled.

A sheriff’s deputy stepped in and stamped his boots.

He shook off rain and set his hat on a peg.

He nodded to the couple and to the kid.

He turned his head and saw us in the booth.

His eyes paused on Lina’s throat, then moved to me.

His face did not change. He walked to the counter.

“Coffee,” he said, “and a slice of that lemon pie.”

His voice had that worn tone of a man half asleep.

The kid poured and cut and slid the plate across.

The deputy stood and drank and ate and watched.

It felt like the whole town breathed through his chest.

Lina did not look at him. She looked at me.

Her fingers left small wet prints on the tin lid.

“My lips are sealed,” I said, and the words surprised me.

They tasted true and sweet and sharp like bark.

Her shoulders dropped a fraction, small but clear.

She let out a breath that had waited all night.

“You do not know me,” she said, but she smiled.

“I do not need to,” I said. “I know the ring.”

“I know the spade. I know girls who say nothing.”

“I know what the water does for some sins.”

The deputy took his plate and coffee to a stool.

He did not rush. He took a slow small bite.

He chewed like a man who had time and no time.

He looked up at the clock and down at his phone.

He sighed, stood, and paid with damp bills and coins.

He lifted his hat and pushed the door with his hand.

The bell rang once more, clean and high in the air.

He stepped into the rain and pulled the door tight.

The diner grew warm again, like a blanket on legs.

Lina’s eyes shone with water and light and something else.

Not joy. Not peace. Just the ease after a long hold.

“What will you do with it?” she asked and tapped the tin.

“Keep it,” I said. “For when someone needs to see it.”

“Or throw it in the river when no one is looking.”

“Both sound right,” she said, and she did not press.

“I will leave now,” she said, and stood from the booth.

She pulled her hood up and wiped the seat with sleeve.

A small smile touched her mouth, thin and bright.

“Thank you,” she said, and her voice was all bone.

She turned, then paused, and looked back at the table.

“If you meet a girl who cannot speak, you help her.”

“Tell her yes before she even asks the question.”

“Make space for her story and the proof she brings.”

“She will be out there somewhere, counting doors and steps.”

She left before I could form a reply in air.

The bell rang. The door swung. The rain ate her shape.

I sat with the tin and the coffee and the hum.

The kid came by and wiped the next booth slow.

“You know her?” he asked, not rude, just bored and young.

“Not really,” I said. “What can I get to go?”

“Pie,” he said. “The lemon is sweet and sharp like a slap.”

“Two slices then,” I said, and pressed two bills into his hand.

He bagged them and slid napkins into the paper sack.

His eyes dropped once to the tin, then skipped away.

“Be safe out there,” he said, then caught himself.

“You look safe already,” he said, and laughed at that.

I sat a while longer with the ring in the tin.

I opened it again and watched the snake watch me.

I thought of my sister and the blue bead on chain.

I saw her hands shaking as she tried to sleep.

I saw the mark on her wrist fade over the years.

I saw her at our sink, scrubbing a glass to death.

I saw the way she locked every door twice at night.

I saw the way she smiled still, and made soup.

I saw the way she kept going even with that stone.

I saw her proof now, cold and small in my palm.

I left cash for the coffee and kept the paper sack.

I slid the tin into my jacket and felt its weight.

The rain met me with a neat slap across the face.

The lot shone black and bright like a page under light.

The bridge waited down the road, lights throwing coins.

I walked to my truck and paused with my hand up.

I looked back at the diner and the window and booth.

The neon buzzed on, patient as a moth in a jar.

The jukebox sent a last chord into the weak night.

I drove to the river and parked near the short fence.

Water rushed past like breath through teeth in a jaw.

I took the ring out and pressed it into my palm.

The snake’s head kissed skin and left a faint cold circle.

I held it over the rail and let the rain count.

One beat. Two beats. Three beats. A small clear hush.

I heard Lina say, Can you keep a secret, again.

I heard my own voice say, My lips are sealed, again.

I pulled the ring back and slid it into the tin.

Not tonight, I thought. Not yet. Not until she asks.

The river took the light and broke it into strips.

A siren wailed far off, thin and tired and sad.

I stood with the rain, the tin, and the thought of girls.

I thought of proof, and lies, and the ways we live.

I thought of the look of shock on a bad man’s face.

I thought of the way some endings can feel like breath.

I went home by the back road and kept the speed slow.

The wipers groaned and flung the drops in quick arcs.

My hands were tight on the wheel, then eased at last.

At home I set the tin on the kitchen shelf.

I placed it behind a jar of sugar and flour.

I washed my hands and watched the water turn clear.

I called my sister and waited through five short rings.

She picked up, yawned, then woke when she heard my voice.

“Could not sleep,” I said, and kept it simple and clean.

“Storm will pass by morning,” she said, soft and sure.

“Come by for soup and toast. I made extra tonight.”

“I will,” I said, and meant it down to the bone.

“Sleep now,” she said. “Lock your doors and turn on the lamp.”

“I will,” I said again, and hung up with care.

I stood in the hallway and listened to my house breathe.

Old pipes sighed, and the roof ticked in a slow code.

I saw the tin in my head and the ring inside.

I saw a girl with wet hair step into a diner.

I saw a man in a hat drink coffee and leave.

I saw the river close over a bad man’s face.

I saw a blue bead and a hand that would stop shaking.

I turned off the lamp and went to bed at last.

The storm walked the roof, then moved off to the fields.

I slept with the quiet of a man who said yes.

A man who had been asked, and kept the right secret.

A man with a tin on a shelf and clean hands.

The night held. Morning would come. We would see then.

For now, I did not speak. My lips were sealed.

Posted Aug 15, 2025
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11 likes 1 comment

LeeAnn Hively
00:55 Aug 27, 2025

This piece uses an unusual verse-like prose format that creates a hypnotic, noir atmosphere. It's a bold choice, and I so rarely see bold choices being taken by writers on this site. Intriguing. I will probably think of this story often as I read more and more stories in the weeks to come.

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