Drama Fiction Mystery

"Did you check your blindspots?"

"Yes."

"You're sure?"

"Yes."

"Okay, now pull out slowly--I said slowly!"

I roll my eyes for the five hundredth time this morning, my lips numb from scowling. I'm twenty seven, a college dropout--I can drink and I can smoke and I do not need my mom to teach me how to drive.

"I don't know how you passed your driving test in highschool, honestly Liz. You drive like a freaking maniac." My mother growls, her voice as acidic as her perfume, (cherry with a hint of lemongrass). The line is not one I'm unused to, yet the meaning associated with it fades over time.

"Well I did." I say, accidentally allowing a lash of the tongue to slip. "I've been driving for ten years ever since."

"You do not talk to your mother like that Elizabeth Jane Morton. Now turn here."

My fingers tighten on the wheel as I take a leisurely left, refusing to give my mother any chances of critiquing my driving skills.

It's five in the morning, fragments of sleep still spinning in my eyes, little golden stars blinking in my contracted pupils. I don't know where we're going. I'd woken up in a blurry haze, to my mother's dark silhouette standing over me, merely a shadow instead of a human. I can't remember exactly what she said, only can recall the sharp feeling in my arm as her overgrown fingernails dug into my flesh. That, and a sense of urgency in the air.

"You're going to stay on this road for about a mile before taking I-70." My mother says, staring at her terribly outdated map she's had since she was twenty, which now lays over her thighs like a thin blanket.

I lean toward her. "Where are we even going?"

She slams the paper down, ripping it slightly in the center. "Eyes on the road!"

"If you're so paranoid about my driving, why don't you do it?"

She sighs, for reasons I'm not sure of, before pointing to an upcoming exit.

"Okay, merge here."

Piercing silence inflates my lungs, and hot frustration burns my stomach. How did I end up with her as my parent? I could've had anyone in the world--sweet old Mrs. Cartridge from two doors down, Dr. Jean, my third grade teacher, Angelina Jolie. It's a common question of "why God, why?"

The highway is nearly empty, (there's a single u-haul van cruising down the right lane,) and vast. The navy sky stretches for miles, the land around flat and dusty--typical for Belleville, Kansas.

"Do you remember when we moved here?"

The question startles me, partly because she already knows the answer-no, I was only five when we moved to Kansas-partly because the randomness disturbs me.

"You probably don't," she continues, staring straight ahead in a blank state of mind. "But I remember driving down this highway, wondering how some place could look so lonely."

I couldn't help but wonder if my mom was having a manic episode or something along the lines of losing her mind. Loretta Morton was never known to stray from topic. Loretta Morton was a woman of consequence, of discipline. Loretta Morton had a special place for everything in the house, not wandering thoughts and trailing off words.

"You know, I didn't want to move here." Her voice was wispy and light, like a feather swaying in the breeze. "I thought we were fine where we were. I'd lived in New Orleans since I was a little girl--of course I didn't want to leave!"

I half nod, half peer at her map, which has been left unguarded and is telling me to take a right.

"God, but you're father was so hell bent on Kansas. Fresh air, away from the city, he used to say! In the end it was a stupid decision. Too late, no point...hey, why are we taking a right?"

"Uhh, It's on the directions."

"No, no, no. Better to keep straight, it's faster that way."

"Okay..." I swerve out of the turn lane, earning a exaggerated grumble from my mother. I direct her away from my bad driving before she can make a comment. "I thought you said you like living here."

"Hell no." Another thing that sets off alarms in my head-her use of a cuss word. "The neighbors are so nosy, and everything is way too far."

"You like Mrs. Cartridge, though. Remember how she used to come over all the time with cake and lasagna? When I was seven?"

I flash a smile, hoping to pull her out of wherever this is going.

"No. She was always coming in and out of the house without warning. The working of your dad, I bet-"

"What does that mean?"

She sighs, her whole body heaving. "Just...make a right turn here, please."

I obey, too afraid to not.

The working of your dad?

The sentence stays with me as I pull down a gravel road, little rocks popping and clinking against the doors. The scenery changes in less than a minute; the roads narrow out, a four lane turned to one in an instant, the flat land morphing swiftly into a sea of hills and bends. Trees tall with finger like branches lean over the road, encasing us in their cool shade.

"Park in the lot at the bottom of this slope." My mother points to a dead end in the dip of the road, a flat, grassy square amongst ups and downs.

I pull in and turn the engine off. "Now will you tell me where we're going?"

"Just up this hill here..." She nods toward the green lawn in front of us and I get out of the car, following her in a ditsy haze like a lost puppy.

Another thing I notice-There's gravestones everywhere. As we reach the peak of the slope, grey cobblestones marked with various engraved names--Jack Lowosky, Pamela George, Lafawnda Miller--stand straight up, growing in numbers as we walk farther.

I frown, an eeriness shivering my bones. "Why are we in a graveyard?"

Her answer to the question disturbs me more--silence. "Mom?"

She walks quicker, flashes of marble, granite, and slate passing before my eyes, and an odd sense of nostalgia fizzing in my head.

Have I been here before? Something familiar lies in the way the leaves sway in the breeze, the way the sun glints in my eyes, like a treasure chest waiting to be unlocked. I stumble behind my mother, seeping in my surroundings. There are pale dasies and overgrown weeds everywhere, and they brush against my calves, all too reminiscent of something that I can't put a name to.

I've only been to three funerals I can recall in my life; my great-grandmother's when I was ten, my grandfather's when I was thirteen, and my cousin Boris' when I was twenty four, though I can't remember ever driving out here for any of them.

"Here." She stops abruptly, my nose slamming into her back. There's a slight shake in her voice. "We're here."

My heart murmers, as I, slowly, turn to read the gravestone we've stopped at. It's old, at least a decade, with olive green moss twisted and spun around the engraving. I have to kneel to see it.

My breathing stops. My hands are clammy as I reach out to touch it, the stone smooth and cold beneath my soft fingers. "Mom?"

She doesn't meet my gaze. "Just read the name aloud."

My voice tremors. "Loretta Hailey Morton. 1961-1996." I swallow hard, throat tightening. "It says you're dead."

The world stops. A million thoughts race through my head with a million different pictures. People in black dresses, men in dark suits. My father hugging me tightly. When was this? How could this be happening? I couldn’t understand any of it.

"You were seven years old." Her eyes are glassy, as if a coat of resin has been left to dry over them-no tears fall but they are right under the surface.

"Cancer. Stage four."

I pause, gasping for words. "How come I don't remember this?"

She shrugs limply. "Coping mechanism probably. Or at least that's what Dr. Powell said."

"Dr. Powell?" The name rang a bell, but a weird sounding one, trapped in the corners of my brain.

"Your psychiatrist when you were eight." My mother smiled faintly, yet as she met my gaze, her lips trembled and it faltered. "Your father didn't tell you that you were going to see a psychiatrist though--stupid of him, I think-- in his words, he was your 'check-up' doctor."

I raise my eyebrows, vision spinning. Nothing made sense, and as much as I racked my mind for answers, empty thoughts only echoed back. "How...how are you here, though?"

That was my biggest concern: my mother might be dead, but she'd been there all my life. Every time I cam home from school, she'd either be in the kitchen, her old "Kiss The Cook" apron tied around her waist, or wandering through the halls with baskets of laundry or a book, open as she read. She sat in the backseat when I took my driver's test, and consoled me in my room when I failed the first time. She'd been everywhere with me, so how could she just...not exist?

"For a long time I didn't know." She's staring at her gravestone, kneeling in the dirt beside me. "Didn't understand. Hell, I never cussed, I never did drugs. I was supposed to be in heavan, God dammit. But you, Liz."

"What?"

"You, were what was holding me back."

My body quivers as the air grows stale. "How?"

Something in her snaps, I can tell by the new sharpness edging in her tone, and she stands up quickly, looking me dead in the eye.

"I died ten years ago! And you didn't know that until now!"

I hold my breath, word at a loss.

"Did you not take any hints, Elizabeth? The people in black at the funeral? The pictures of me gone from the house? Stupid Mrs. Cartridge bringing lasagna and meals over? Because I wasn't there to do it?" She lets out a choking cry, silver tears spilling down her cheeks. "I'm dead! Dead, dead, dead!"

Her voice pierces the air, ringing in my ears. I don't know what to say. I don't know how to respond. What do you say to your dead mother?

My throat aches in the silence, blood thumping through my head, in my ears.

"I'm sorry." I start to cry. Dirt sticks to my elbows and legs as I sit, my face reddening. It's embarrassing but I don't know how to stop it, because it comes in waves, washing over my head and plunging me under.

"I'm really sorry mom. I didn't know, I should've figured it out by now! I'm twenty-seven for Christ's sake!"

"Oh honey," She wraps her arms around me, her skin gossbumped and icy. "You were grieving, it's not your fault!"

A pang of shame hits my heart. "But, it's just-"

"I shouldn't have yelled." She shakes her head, hugging me tighter. "I'm just frustrated, that's all. I should be in heaven right now, but I'm not-"

"Mom?" My eyes widen. I pull out of her embrace abruptly, scooting back to stare at her.

Her eyebrows narrow. "What is it?"

She's glowing. Illuminating. Her skin radiates a warm yellow, as if her bones are on fire underneath her pale skin.

"What?"

I organize the words in my head but they fall apart the minute they reach my tongue. "Your skin," My mouth opens then closes. "It's really bright."

Her forehead crinkles as she brings her hand to her face--a look of confusion, followed by a register of shock.

"Oh my God!" She screams, fingers gripping her arm.

I can't look away. The glowing brightens, her body now a sickly fluorescent that nearly blinds me.

"What's happening?" A low hum buzzes in the air, like a generator starting to life, and I have to yell over it to get across to my mother.

"I don't know, Lizzy!" I can't see her anymore, curtains of illuminesence veiling her face, which is silver with light.

The humming grows, the sound not unlike a large hive of agitated bees blurring and zipping in the sky. I cover my ears, earlobes breaking from the volume, and squeeze my eyes shut.

"Stop, stop!" I just want it to be over.

Then, all of a sudden, it is.

Silence. For a second, I don't move, just stand there crouched over, still shaking.

What just happened?

Slowly, my palms--slick with sweat--melt back to my sides, my eyelids peeling apart leisurely.

I look up.

She's gone.

Posted Aug 05, 2023
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7 likes 19 comments

J Rico
02:49 Aug 17, 2023

Wow, just wow. You had me since the start of the story. I loved the way you put everything together. All the details were placed in a manner that keep you waiting for the conclusion. Most of all, you touch on a subject that most people do not want to talk about or are not comfortable discussing.

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Lily Rama
13:06 Aug 17, 2023

Thank you! I appreciate your feedback!

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Kendall Defoe
16:25 Aug 08, 2023

Well, that was different...
It is amazing what the mind can conceive of when it needs to cope with trauma. And this feels like the prologue to a longer tale.
Well done!

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Lily Rama
18:33 Aug 08, 2023

Thank you Kendall :)

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07:45 Aug 08, 2023

Wow Lily, that totally caught me by surprise.
There's a great build up of mystery in the first half of the story, and the character of the mother and the mother-daughter relationship is so believable and well portrayed, there was no way to expect what was to come.
Great story!
(not sure if you can fix it still but there is a mis spelling of the word heaven towards the end - spelt heavan.)

Reply

Lily Rama
14:22 Aug 08, 2023

Thank you, Derrick! I will fix that right away!

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17:55 Aug 08, 2023

🤘

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Kay Northbridge
18:39 Aug 07, 2023

Hi Again Lily,

I am back as promised to leave line notes. I hope you find them useful.

I can drink and I can smoke and I do not need my mom teaching me how to drive. - I would just slightly rephrase this to:
I can drink and I can smoke and I do not need my mom to teach me how to drive.

"I don't know how you passed your driving test in highschool, honestly Liz. You drive like a *freaking* maniac." - We learn later that Liz's mom died in the '90's. That combined with her age suggest that she wouldn't use this phrasing. It sounds more like a present day teenager talking than a 1990's mom. I'd swap it out for another word - maybe even make her swear if you want a solid impact. Or if you're not sure just cut it and stick with "maniac".

My mother growls, her voice as acidic as the scent of her perfume, (cherry with a hint of lemongrass is what the bottle said). - This is a really lovely detail and helps to bring the scene to life. I'd change 2 things about it.

1. Cut the filter. Filters are where you say things are heard, seen, smelled, etc by your characters. By introducing this you push the reader away from the experience of the scene by forcing them to hear/see/smell the thing through the character. Instead you can just describe the sensation direct and bring the reader closer to the experience - like they are there.

2. Cut "is what the bottle said". This a subjective, stylistic thing, and you may well disagree, and thats fine. If it was me I'd cut it so that the implication is not that Liz read this on the bottle - but that she knows it from the scent. This will enhance your earlier line about how the scent is acidic.

If you employ these two changes the line becomes:
My mother growls, her voice as acidic as her perfume, (cherry with a hint of lemongrass).
This also tightens the prose by removing unnecessary words. Most of line editing is about removing unnecessary words.

My fingers grasp the wheel as I take a leisure left, refusing to give my mother any chances of critiquing my skills behind the wheel. - This line is a bit odd. If she's driving then her fingers are already on the wheel. Also do you mean "leisurely" left? And I'd try to cut the repetition of the word "wheel" as well. Repetition of words in close proximity is distracting and suggest the author has limited vocabulary. I'd switch it out something like this:

My fingers tighten on the wheel as I take a leisurely left, refusing to give my mother any chances of further critiquing my driving skills.

(To be clear,) I don't know where we're going. - I'd cut the bit in brackets. It makes it sound like the character is directly addressing the reader and that shouldn't happen when the rest of the piece doesn't do this. You need to try to keep your style consistent.

My mother says, staring at her phone, - There were no smartphones in 1996. There were probably very basic mobile handsets - they would not have had internet connections and certainly no google maps or anything. It's a judgement call - but if I was writing this I would keep everything about the ghost consistent with the date she died. As well as consistency it also gives you an opportunity to subtly foreshadow the twist. You could still have her holding a phone - but maybe Liz comments on how out dated it is. Or asks her when she's getting a new one?

If you did decide to get rid of the smartphone then you would have to tidy up the rest of the story to make sure you cut it out everywhere. These 2 lines:

I lean toward her. "Where are we even going?"
She slams her phone down. "Eyes on the road!"

Would no longer make sense. You could change the scene so that maybe Liz fiddles with the stereo or something and her mom shouts at her for that instead.

It's a mix of karma and bad luck, I like to think. - I don't understand how it can be karma. At the point Liz was born and her parents became her parents, she was a tiny baby - she couldn't have done anything to deserve the situation she was in - I'd reword this. Or cut it.

"You probably don't," she continues, (her eyes) staring straight ahead, as if there is something in the distance that (she can't quite look away from).

I'd cut the first set of brackets since eyes are implied if someone is staring. The second set I'm not sure about. They are almost a filter. I'd rephrase maybe to: something in the distance that has her transfixed.

I couldn't help but wonder if my mom was having a manic episode (or something along the lines of losing her mind). I'd cut the section in brackets - it doesn't add anything and is very vague after such a strong, specific opening to the line.

"You know, I didn't want to move here." Her voice sounded strange, wispy and light, like a feather swaying in the breeze. - Cut the filter and make the description specific - words like "strange" are too vague to use when you have an exact description you can use instead and you already have that in the line - "You know, I didn't want to move here." Her voice was wispy and light, like a feather swaying in the breeze.

I half nod, half peer at her phone, which has been left unguarded and is telling me to take a right. - if you are going to get rid of the smartphone you need to cut this line and join up the dialogue immediately before and after it into one speech.

If you cut the smartphone then the following section needs reworking to give the mom a different reason to get tetchy about the driving:
"God, but you're father was so hell bent on Kansas. Fresh air, away from the city, he used to say! In the end it was a stupid decision. Too late, no point...hey, why are we taking a right?"
"Uhh, It's on the directions."
"No, no, no. Better to keep straight, it's faster that way."
"Okay..." I swerve out of the turn lane, earning a exaggerated grumble from my mother. I direct her away from my bad driving before she can make a comment. "I thought you said you like living here."

The sentence stays with me as I pull down a gravel road, little rocks popping and clinking against the windows. - I'm no expert - but I think they would clink against the doors - it seems unlikely they would get high enough to hit the windows??

The scenery changes in less than a minute; the roads narrow out, a four lane turned to one in an instant, the flat land morphing swiftly into a sea of hills and bends. Trees tall with finger like branches lean over the road, encasing us in their cool shade. - I really like this description.

As we reach the peak of the slope, grey cobblestones marked with various engraved names - this might be a British thing (I am guessing you are American?) so I could be wrong in your context - but in the UK cobblestones are tiny and used to surface old fashioned streets - they are never used as gravestones. You might need to double check this detail.

I frown, an eerie feeling shivering my bones. - Cut the filter - I frown, an eerie shiver in my bones.

I stumble behind my mother, seeping in my surroundings. - I don't think seeping is the right word here - maybe soaking? steeping?

There's pale dasies and overgrown weeds - Just check your grammar and spelling here. There are pale daisies and overgrown weeds.

The world seems to stop. - If you want drama try: The world stops.

(I realize) Her eyes are glassy, as if a coat of resin has been left to dry over them-no tears fall but they are right under the surface. - cut the filter in brackets but otherwise this line is beautiful.

empty thoughts only echoed back - this isn't quite right - I think it should be: only empty thoughts echoed back.

Check your spelling of heaven.

She's glowing. Illuminating is more like it, for her skin radiates a warm yellow, as if her bones are on fire underneath her pale skin. - This is a lovely description but you could tighten it and avoid the repetition like this:
She's glowing. Illuminating. Her skin radiates a warm yellow, as if her bones are on fire underneath it.

Her face crinkles as she brings her hand to her face - again - cut the repetition - maybe swap the second face for lips / cheek / chin / whatever.

"Stop, stop!" I just want it to be over.
Then, all of a sudden, it does.

I think this should be:

"Stop, stop!" I just want it to be over.
Then, all of a sudden, it is.

I hope this is helpful. I know it looks like a lot of suggestions but I stand by my original comments that this story is really interesting, really original, and has loads of good things going for it. Please don't be put off that I have made so many notes. I am very picky! You have done a really good job of some tricky technical stuff - like working in backstory without it feeling like boring exposition - and building up a complex relationship and two complex characters in a short space of time. You make the reader question things - like what exactly was going on with Liz's dad and the woman from 2 doors down?? And this adds intrigue to the story.

See what you think of my suggestions and feel free to pick and choose from the ones you like.

All the best.

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Lily Rama
22:41 Aug 07, 2023

Thank you Katherine! These were very helpful and after reading my story for a second time, I noticed that it feels a lot smoother when I applied the corrections! Thanks again :)

Reply

Kay Northbridge
21:10 Aug 06, 2023

Hi Lily,

Thank you for reading my story and leaving me a comment - you asked me to take a look at yours, so here I am. Overall impressions are that it's really interesting and an original take on the prompt, which is always good. I like the way the mother/daughter relationship is built in the car, and the foreshadowing with the lasagne is a really nice touch. There is a general rule that you shouldn't open with dialogue - but I think it works here because the dialogue immediately sets the scene - which is clever.

If you want crit and suggestions for improvement let me know - I did notice several things that I would edit if it was my story and I'd be happy to give you line notes if you want them. But be prepared that they will be quite blunt.

On a different note - I have been working on a novel in which a couple of ghosts ascend to heaven at the end. I've had feedback that my description of this scene is somewhat lacking in detail and that it needs to be improved, but I have been drawing a blank on how to do this. Having read your descriptions of this very thing in this story I am inspired. You have given me some new ideas about what aspects of the scene I can work on and how I might be able to build on what I have - my descriptions would be very different from yours, it's more the way you slowed the action down and the types of things your character notices in those moments that have inspired me - don't worry - I won't steal your words! It was just very interesting to see it done so well and you have taught me a thing or two. So thank you!

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Kay Northbridge
21:18 Aug 06, 2023

Hi Again Lily,
If you'd like to see the kind of crit I tend to leave you can have a look at the comments here https://blog.reedsy.com/creative-writing-prompts/comments/734468/ - happy to do this for your story if you think it would be helpful.

Reply

Lily Rama
23:51 Aug 06, 2023

I would love that, if it's no trouble for you. I always like to know what I can improve on.

Reply

Lily Rama
21:31 Aug 06, 2023

Oh my God, thank you so much Katharine! That means so much to me! I would love to hear any other notes you have if you are up to it. Thank you again!

Reply

Frances Gaudiano
18:39 Aug 06, 2023

What an incredible twist - I didn't see that coming at all. Loved it! You captured the mom and daughter in the car bit really well too.
There is a comma inside a parenthesis that you might want to remove and at one point you have two similes back to back, but those are niggling points in an overall good piece of work.

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Lily Rama
20:22 Aug 06, 2023

Thank you Frances, I will look through and definitely fix that!

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Marco Lama
14:45 Aug 06, 2023

Great story! A small thing I liked: you nailed the description of the highway. The single u-haul was a great touch.

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Lily Rama
14:58 Aug 06, 2023

Thank you Marco! I appreciate that :)

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Joe Smallwood
14:20 Aug 06, 2023

Interesting trip. I wanted to know how it ended, so it was a page turner. Thanks for liking my story.

Reply

Lily Rama
14:24 Aug 06, 2023

Thank you, Joe! It's so hard to get exposure when it's just on your profile page, so I really appreciate your comment!

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