Contemporary Holiday Horror

“Platform Number Four, now boarding.”

He was a cynic, but there was nothing now that could possibly ruin his trip home. The plane that took him across a time zone had faced very little turbulence, and he knew that this was helping with his fear of heights. The therapist’s suggestion that he fly back was actually useful (better than that nonsense about opening up to people). He had a good flight with no alcohol necessary, and he even took an air-sickness bag as a memento (strange little collection he had now). No, he was simply one bus ride away from home and he would see the family, old faces and sights that he knew so well.

“Hello, sir!”

A friendly driver? Well, it was the holidays, and he must have been from my hometown. He seemed to be himself that way). The man was a little older, heavier, wearing glasses and the uniform of the company that ran both the airline and the bus (very unusual), and his smile seemed genuine (all those slight crinkles around the eyes…) Their final stop was over two hours away, and had no airport of its own, so he would be forced to, once again, grab another bus and then taxi up to the old place. It felt different taking it from the airport than the usual rundown bus terminal where he kept an eye on his luggage by sitting on it, but this was a good start. There were no homeless people here or late-night freaks looking to offer drugs or save his soul as he transferred rides. This would be a simple trip to the very familiar sights of his past.

“Hello to you! Can I put this in the side?”

The driver smiled again, and he already had the side panels up for storage. “No problem. Are you heading all the way to…?”

“Absolutely. Family won’t leave.”

He smiled at the passenger again. “I know, I know… A lovely place to visit, but…”

“Absolutely wonderful to leave.”

Now they were both laughing as Ralph took out his ticket and had it scanned. The other passengers seemed indifferent to the joke. Most of them would probably leave in the first hour of stops (they looked like they lived out in the bush), and he did not want to delay their return to the wild.

“Thanks…”

“No worries. Now, get on board.”

“Okay.”

Was that an order? Something a little too rough…?

He carried his backpack up into the narrow aisle.

*

It was an unusual move for him, but he decided to sit right behind the driver. From the number people waiting in line and the clear weather, it was good to be able to see everything in a ride that would end just as the sun was going down. Some snow clung to the roads, but the unusual warmth of the season had take over many of the towns here, and it was hard to think of a new year about to stroll in. It was also a bright and sunny day, so he could remind himself of all he remembered of his hometown after such a long gap between now and his last trip to see the folks. The driver waited a moment for any last-minute stragglers and the pixelboard indicated that they had at least five minutes before the scheduled trip.

“So, we heading out soon?”

The driver, looking back through his bifocals, seemed surprised to see the man behind his seat.

“Oh, yeah. We have a schedule to keep and you can never tell who is going to show up at the last minute.”

He kept the door open as they all waited; the hum of the bus flowed through them; he looked up at the clock.

“Four minutes…”

“Yeah, and then no conversations with the driver.” He took off his glasses and pointed at a plaque right below the pixelboard. It warned about smoking (tobacco and other substances), vaping, and discussions with the driver. All the restrictions were indicated with simple pictograms circled and then slashed with red.

He smiled.

“I won’t bore you with my life story.”

At least the driver smiled at this.

“Believe me, I’ve heard them all. One woman went back to her husband who cheated on her and told me that she believed that this time – this one special time – he would change. That was over the summer, so it had nothing to do with resolutions or other nonsense. Another guy had security chasing me down the road as we pulled out because he turned out to have a warrant on him. Great to be in the news, sometimes.”

The wind picked up and a definite chill filled the cabin. The driver simply ignored it and stared ahead at the asphalt that was whitened by crushed salt.

“Then there are the students. Usually, they aren’t a hassle. They are just trying to find the easiest way home and, let’s face it, bus rides aren’t that much compared to planes or trains…”

“Right…” He looked up (they had two minutes to go).

“But sometimes… Sometimes, you get one or two that just want to make trouble for the rest of the passengers.”

He noticed for the first time that the driver’s hands were on the steering wheel, gripping them until he could almost hear the cracking of knuckles. Looking back, he wondered if any of the other passengers were noticing or hearing this (most were in the back, which was surprisingly dark).

“And you have to take care of it.”

“Um, sorry, I didn’t…”

“You have to take care of these problems…these wise guys who think that since you’re a bus driver, you must be lower than lower; you must have wasted your life in order to be behind that wheel and devote twenty years of your life getting people home safely. All on a simply overnight trip and it was the holidays, too. All because some stupid kid decides to ignore as many of those rules as he could because he is a big man at a big school and his family can take care of any problems…”

With a hiss of gases, the door slammed shut.

“Not on my bus.”

A red light flashed on the dashboard. They had to leave.

“Not on my watch.”

All the inner lights switched off as the announcements were made and the itinerary announced. He looked around at the other seats and decided that he had to stay put.

“Okay, now. No talking.” The engine started and the driver pulled the steering wheel to the left and onto the clear path of road. “We have to get you all home.”

They made their way down the road in silence.

Posted Jan 04, 2025
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11 likes 7 comments

Mary Bendickson
02:31 Jan 06, 2025

Rough rules!😰

Reply

Kendall Defoe
03:18 Jan 06, 2025

👌👍🏽

Reply

Francis Daisy
16:07 Jan 05, 2025

Ooooh! Ominous! I want to know more! Is there a part two? Great story!

Reply

Kendall Defoe
00:25 Jan 06, 2025

I have ideas... 💡

Reply

Lily Finch
15:08 Jan 15, 2025

Kendall,

To identify the strengths of a story, you can look for several key elements:

You have compelling characters: Well-developed characters that evoke emotions and allow readers to connect with their journeys and struggles.

An engaging plot. A strong and engaging plot that keeps readers interested, with unexpected twists and turns that sustain suspense or intrigue.

Your themes and messages are rich and thought-provoking, and they resonate with readers. They offer insights or reflections on life, society, or human nature.

You have vivid imagery and Descriptive language that paints a vivid picture in the reader's mind, enhancing the overall reading experience.

You have an emotional impact through your ability to evoke strong emotional responses, making the reader feel joy, sadness, tension, or other emotions throughout the story.

Your unique voice and style is a distinctive narrative voice or writing style that sets the story apart and gives it character.

Your pace and structure are well-paced and your story has a clear structure that guides the reader smoothly through the beginning, middle, and end.

Your conflict and resolution are engaging conflicts that challenge the characters, along with satisfying resolutions that bring closure to the story.

Identifying these strengths in any story can deepen appreciation for its craftsmanship and impact.

identifying areas for improvement in a story can help enhance its overall impact. Here are some common aspects to consider:

Your character development looks for opportunities to deepen character backstories, motivations, or arcs. Are the characters relatable and complex? Are there secondary characters that could benefit from more depth?

Your Pacing assesses whether the pacing is appropriate throughout the story. Are there sections that feel rushed or dragged out? Balancing action and exposition can maintain reader engagement.

Your clarity and cohesion should ensure that the plot is straightforward and that all story elements connect logically. Ambiguities or inconsistencies can confuse readers and detract from their enjoyment.

Your dialogue should be evaluated to see if the dialogue is for naturalness and relevant. Does it sound authentic, or does it feel forced? Dialogue should reflect character personalities and advance the plot.

Your Conflict Resolution should be assessed as to whether the conflict is resolved satisfyingly. Are there loose ends that need tying up? A clear and impactful resolution can leave a lasting impression.

Your theme exploration is to consider whether the themes are fully developed. Are there additional layers or perspectives that could enrich the narrative?

Show, Don’t Tell: look for opportunities to show emotions, settings, or actions rather than simply explaining them. This technique can create a more immersive experience for readers.

Your world-building: If applicable, enhance the setting through more detailed descriptions or cultural elements. A vivid world can draw readers in and make the story more believable.

Your conflict complexity: Consider introducing more complexity to the central conflict. Are there nuances that could be explored to add depth to the struggle?

Your feedback incorporation: Gather feedback from beta readers or writing groups to identify areas you might not have noticed. Different perspectives can reveal blind spots.

By focusing on these areas, you can refine the story and enhance its effectiveness and engagement.

Well written and well developed story
Thank you for sharing,
LF6

Reply

Story Time
16:31 Jan 15, 2025

Lily, a few of your recent comments have read like AI. Are you using AI to give critiques?

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Kendall Defoe
21:39 Jan 15, 2025

Good question!

Reply

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