Submitted to: Contest #298

The First Stitch

Written in response to: "Write a story about someone trying something new."

African American Black Creative Nonfiction

Eugénie never liked quiet. Not the kind that came after a funeral, or the kind that slipped into the room when everyone else went to bed. But this quiet—the kind that waited for her to speak first—was the worst of all.

She sat on the edge of her granddaughter’s dorm bed, purse folded neatly on her lap. Her legs didn’t touch the floor anymore. The years had shortened her. But she still held herself like a woman who’d spent her life on her feet.

“Your roommate gone?” she asked in Kreyòl.

Amara nodded. “For the weekend.”

“Good,” Eugénie said. “Less noise.”

A pause. Then, quieter: “More room to talk.”

Amara raised her eyebrows. Her uniform was still crisp, buttons tight across the collar, her boots lined up under the desk. She hadn’t expected her grandmother to show up like this—no warning, no phone call, just a knock at the door and that face she’d known since she was five.

The woman who could cut bread with one look.

Eugénie didn’t speak for a long time. Then, with a grunt, she pulled an old cloth bundle from her purse and set it on the bed between them.

“Here,” she said.

Amara reached for it, hesitating.

“What is it?”

“Try and see.”

The cloth was faded indigo, soft from wear. Amara unfolded it carefully. Inside was a wooden comb—ornate, smoothed by decades of hands. The teeth were thick and slightly curved. Near the center, carved into the spine, was a symbol Amara had never seen.

A flame over water.

She looked up.

“Is this… yours?”

“No,” Eugénie said, shaking her head. “It’s yours now.”

Amara frowned. “Where did you get it?”

“My mother gave it to me when I left Saint-Louis. Said it came from her grandmother. She didn’t say why. Didn’t ask. You didn’t ask women questions back then. You just watched what they kept close.”

She leaned back, pressing a hand to her lower back as if it ached just from the memory.

“I kept it in my suitcase. In Nassau. Then again when I came here. Never used it. I—I don’t know why.” She met Amara’s eyes. “But I knew I shouldn’t throw it away.”

Amara turned the comb over in her hands.

“There’s a mark,” she said.

“I can’t read it,” Eugénie said, gently. “I never learned. My father said school was for boys. I worked since I was little. First in a kitchen. Then in people’s houses. But I watched. I listened. You don’t need books for that.”

She tapped the comb with her finger. “But you—you read, you write, you walk in rooms they never let me enter. So now it’s your turn to carry it. You hear me?”

Amara’s throat tightened. She set the comb down gently.

“Why now?” she asked. “Why bring it to me?”

Eugénie shrugged, then gave her a look that cut deeper than words.

“You think I don’t see it?” she said. “The way you walk like you owe the ground something. Like you’re apologizing for being here.”

Amara opened her mouth. Closed it.

“I know that walk,” Eugénie said. “I walked like that for years. Serving people. Cleaning their mess. Smiling so they didn’t call me ‘angry.’” She leaned forward. “But you? You got your father’s back. His feet. And your mother’s eyes.”

She nodded at the comb.

“This? This is just wood. But the hands that passed it down—those were women who walked through fire.”

Silence.

Then Amara said, “What do I do with it?”

Eugénie smiled. A small, crooked thing.

“Try using it.”

That night, after her grandmother left, Amara sat alone at the small desk by the window. The comb lay in front of her, bathed in the gold light of the desk lamp.

She reached for it slowly, unwrapped it again.

She had dozens of combs. She didn’t need another. But this one felt different—warmer in her palm, heavier in her chest.

She ran it through her curls, slow and careful.

At first, nothing.

Then, something small.

Not a sound. Not a vision. Just a… weight, lifting.

Like the comb was taking something from her—not her hair, but her shame.

She kept brushing. And with each stroke, she remembered:

Her grandmother standing over a pot of rice at 5 a.m., humming old lullabies in Kreyòl.

Her mother tying her shoes with calloused hands before a night shift, whispering, “Walk proud, even if you’re scared.”

Her father lifting her onto his shoulders as a child, whispering, "You are more than what they see."

She brushed again.

And again.

Until the room felt full.

Not just with her—but with all of them.

She didn’t cry. Not exactly. But the heat behind her eyes felt like steam rising from something long sealed shut.

She sat there for a long time, holding the comb in her hand like a relic. Like a weapon. Like a map.

The next morning, Amara walked into morning formation like always. Uniform pressed. Eyes forward. Hands steady.

But something in her was different.

She didn’t feel like a guest in her own story anymore.

She felt... stitched in.

She stood straighter. Her breath moved deeper in her ribs. She didn’t flinch when the sergeant yelled. She didn’t lower her voice when she answered.

At breakfast, she ate slow and steady, not racing like she was about to be chased. Someone stared—she stared back.

That afternoon, during cleaning inspection, one of the instructors lifted a brow at the wooden comb on her desk.

“What’s this?” he asked.

Amara looked up.

“A gift,” she said.

“From who?”

She hesitated. Then: “From the women who raised me.”

That night, she sat again at her desk, turning the comb slowly in her hands. She traced the flame-over-water mark with her fingertip.

She didn’t know who carved it. Maybe it was a soldier. Maybe a mother. Maybe someone who’d never been named in a history book.

She couldn’t read the symbol, not fully.

But she could feel what it meant.

In the quiet, she whispered out loud:

“I don’t know your name. But I know you walked before me. I know you carried the heat. The silence. The work.”

She paused.

“Now I carry it too.”

She smiled, placed the comb gently back in the cloth, and tucked it under her pillow.

Tomorrow, she would carry it again.

But tonight—

she slept like someone who had finally remembered her place.

Posted Apr 16, 2025
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5 likes 2 comments

Kate Winchester
16:58 Apr 22, 2025

Beautiful story. I liked your descriptions. Good job!

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Marie Decius
18:32 Apr 22, 2025

Thank you. Its a chapter in my book. We named Her Toya. Eugenie is based on my grandmother. This is actually my grandmother's name.

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