At the intersection, I could go right and head home–but turning left would take me to the source of my nightmare, to the incident I haven’t been brave enough to revisit. To the place I encountered them.
The Abandoned.
The Slow.
I know what you’re thinking. What kind of fool would believe in stupid ghost stories, let alone believe they’d seen them come to life. I had to have been high, right? Or on some kind of reality-altering medication. Not alcohol, I wouldn’t be dumb enough to drive drunk, but maybe, just maybe, a random pill or half-smoked joint might have compelled me to take that trip down Curragh Lane, a meandering road lined by trees so twisted their branches linked in dark embrace above.
To the school that became an abattoir in 2010.
The school I was warned to avoid by mumbling, red-faced farmers and whispering yokels.
I didn’t believe it, like I don’t believe anything anymore. Urban legends always turn out to be fake. Haunted houses are hollow husks. Ghost stories are written by David Walliams. But I’m not one to give up hope, hence why I decided to explore when I heard the rumours.
Against dear Daria’s advice.
“I know what you’re like with a mystery,” she said. “But at your age, you should know better. The only thing your curiosity ever gets you–us–is trouble. Stop chasing phantoms, chase a job, take a course, upskill. Get back on your feet so we can rent somewhere in the city instead of slumming it in your dead grandmother’s cottage.”
That was Daria. Supportive and loving once, now cautious and dull. No sign of the girl I’d met and married. Who used to spend weekends snooping in castle ruins with me and slumming it at horror conventions. Before we had kids and the print industry contracted, before I was made redundant and we had to give up our Kensington apartment and return to Ireland and the county of my birth. Yeah. Before all that. But where was the harm, I said. Being ‘mature, responsible adults’ didn’t mean life had to be all budgets and housework and chores. We could still let our imaginations roam. We could still expect fantasy, hunt for ghosts in attics and faeries in gardens.
The argument might have held water if we weren’t living hand-to-mouth in a damp, rundown hovel in fucking Kildare. All the more reason escape was needed. From bills and failure and reality. But it turned out Daria was right. I found what I was looking for. And yes, it was trouble. And no, I wasn’t drunk and I hadn’t smoked or taken drugs. If I had, it would have been easier. To explain away the things I know I saw. The slow things lurking in the shadows.
Curragh Lane ended at the School, the ex-residence of an Earl from a bygone era. In the 90s, it was bought and converted into an academy, the Yukkuri Academy, to cater to the children of wealthy Japanese businessmen who’d relocated to Ireland to work in the booming equestrian industry. Yukkuri. The Japanese word for ‘slowly’, to emphasise a steady pace of learning. For a time, it did well and flourished, but when recession hit in the Noughties it received a swift bullet to the head. As trainer contracts were cancelled, breeders were retrenched and veterinarians were laid off, families packed up and went home, and the school, without traffic, became redundant.
By the end of 2010, its student numbers had dropped from 80 to just over a dozen boarders, whose parents had already returned to Japan or been sent on to work in other countries, leaving their children behind. To finish out the term. To not interrupt their education. Or just because they didn’t want to bring them. To Dubai, or Riyadh, or Chantilly. Because living your life and following dreams is not so easy with kids.
I might be being unfair. I’m sure those parents really did want the best for their children. A solid education, fluency in English, business acumen. By all accounts, Yukkuri offered top class academics and a prestigious international staff–Americans, Canadians, Brits. All of whom lost their jobs as enrollment dropped. As families took their kids and vacated. All except the parents of those who had nowhere to go when the school shut down.
The Abandoned.
The Slow.
I wasn’t around when it happened so I don’t know how it all panned out. I only have the stories, that tell of how the Principal, Higasaki, kept the place going while he waited for the parents to return. Some did accept their responsibilities as the bearers of humans and collected or sent for their kids. Others chose to delay the happy reunion. Or washed their hands of their burdens. Whatever the case, as the story goes, sometime between November 2010 and February 2011 (when some finally invested parents did show up), during one of the harshest winters Ireland h suffered in years, something happened, and Higasaki and his boarders, kids aged 13 to 16, were killed. Stabbed, strangled, suffocated, dismembered or drowned. And nobody could figure out who was responsible.
Yukkuri’s power was cut off due to lack of funds. Oil tanks hadn’t been refilled. Phone bills hadn’t been paid so all lines of communication to the outside world were severed. Not that it was that far off the grid. I mean, it’s right there. At the end of this lane, a twisty, turny, tree-throttled road with one stop.
Once, they’d have called it a manor. Stables and outhouses scattered across the grounds, east and west wings spread wide like welcoming arms. Gables rose into the sky, pillars held up balconies that had faded with time. Ivy-covered walls, weed-filled driveways, overgrown gardens. Metal fencing traced the perimeter of the estate and at its mouth stood a rusty, wrought iron gate. Real movie stuff. Eerie, noir. Especially after it was deserted and left to rot. Fifteen years in the past. Forgotten in the middle of horse county.
When I went to explore it in April, I was impressed. It was more intimidating than I’d had any right to expect. The gates had been secured by investigating officers after they removed bodies and parts, secured evidence, hosed the place down, but my trusty bolt cutters were up for the job. Not the first time I’d used them, but it was the first time I’d done it without Daria keeping watch for nosy neighbours. She’d refused point blank to come. Too busy looking after the kids. Dinner had to be made, homework done, laundry folded. And a pissy teenager unhappy with having to leave her friends in the UK to move to a ‘backwoods, miserable shithole’ needed to be placated.
Of course.
But that wasn’t going to stop me.
My sense of adventure.
Local rumours said the school was haunted by the ghosts of Higasaki and his students, shadowy beings that slithered and slunk inside the academy’s grounds, creeping and crawling at a sluggish, otherworldly pace. They’d been spotted by passers-by, dog walkers, farmers searching for lost sheep. Had become the stuff of local legend. And I was on a mission to be disappointed.
Or I just wanted to get out of the house. Away from the nagging. From the job sites and negative bank statements and rejections from courses I didn’t have the qualifications to enroll in. From the moaning and complaining about how hard it was to run a household and feed a family and survive on shoestring social welfare benefits. From the accusations and the snark and the blame. Though I didn’t see her trying to get a job.
Equality. Ha. The only equality I knew were the weights of pressure and expectation on my shoulders so I had to get out, grasp at the frayed threads of fancy. Let myself believe, again, for a moment, that some ghost stories might be true and there could be something more that offered meaning.
Newsflash–there is.
No, nobody ever figured out what happened in Yukkuri. The evidence wasn’t there to put it together. Plenty of theories. Easiest to arrive at was that Higasaki murdered the kids then took himself out. His motivation? Not much about his past came to light this side of the world but maybe he did it as a mercy. When he realised the kids’ parents weren’t coming back. That they were unwanted, had nowhere to go. Maybe he didn’t either. Maybe he came to the school to hide from his own past and demons. And faced with the prospect of returning to them… Maybe it was best for them all.
Or maybe he went Jack Torrence in The Shining. Trapped inside a snowbound school with thirteen sulking teens during one of the coldest winters on record. Angry teens who’d been left to fend for themselves. Maybe they hated each other. Maybe Higasaki hated them. Because he couldn’t leave. Couldn’t go home or to Dubai to bask in the sun. He was responsible. For his ‘family’. And he took that responsibility seriously. Like any good ‘father’.
Until he couldn’t.
Plausible but doesn’t explain Higasaki’s own dismemberment, unless he was very creative. Maybe one of the kids did it? Maybe a random stranger. Or Yukkuri itself. Maybe I’ll find out, if I go back. Turn left instead of right, drive to the end of Curragh Lane, park outside the gates I left gaping open, when I fled from the ghosts in the manor, the ones I disturbed by intruding. Exploring. Reading English entries in homework journals and diaries that had been left behind, trying to solve the mystery.
Trying to get myself in trouble.
They sensed it. They knew. My tortured soul called and they came, but instead of accepting them and reveling in the discovery that my years of belief in the supernatural had yielded results, I acted like an idiot and panicked. I screamed, ran, stumbled through halls and down stairs; charged around overgrown gardens as I tried to escape, from faceless shapes shuffling out of shadows, smoky-armed and sluggish, trying to touch me.
I got away. Three months ago. But did I really?
Daria didn’t believe me. Neither did the kids. Or the morons on the forums because ‘pics or it didn’t happen’. Only the bottle believed me. And the pills and smokes. I wasn’t drunk, drowsy or high the day I went to the school but I have been every day since. To escape a family that hated me. A cottage crumbling around me. Employers and courses that didn’t want me. The nightmares. But the nightmares persisted. In the dead of night, in my darkest hours, Higasaki and his students haunted my dreams.
And now I know I need to escape from it all. I can’t go ‘home’. Ever again.
So I make my decision, put the car into gear and go left. The time is now. To get my answers. To find out what happened to the Japanese kids and their Tutor. To find out if I can join them.
I can’t return to that quiet house of corpses and flies so I choose a different path, accepting my fate as I enter the foreboding lane and pass over faded painted letters.
And I smirk as I read: “Slow School Ahead.”
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Appreciated the word play you incorporated here. This was one of the first I read and it remains among the more memorable/better stories.
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That was gripping! I love the atmosphere you created and the way all the details of the past came up in the present story. Amazing job with this prompt!
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Thank you Hannah!!
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What advice do you have for writing short stories? What helps you the most when writing?
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Amazing piece
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:) thank you~!
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Dominic,
Holy Mackerel. Well, my story is disqualified then. I read the instructions, interpreted them differently, and dismissed it as absurd.
'write each of the prompts below on different pieces of paper. Then set a timer for an hour, pull a prompt at random, and start writing.'
I just assumed I was supposed to wait an hour before writing! I swear. I swear to God, that's how I interpreted that sentence. I had no idea they were suggesting I write a story in one hour. What would I do with the rest of the week?
What did everyone else do with the rest of the week? I could have written a crappy half story for all five prompts and been done by Sunday afternoon. No?
Plus -- I don't have a timer. I ordered one on the internet, was supposed to arrive in three days, but they sent it to the wrong address. So I just used my watch, my cell phone and the wall clock for back up.
Look, I never claimed to be intelligent. I've never made that claim. (Anywhere. Ever.) Had I known I was only supposed to write for an hour, well,, that would have been a different story altogether. And way crappier than what I posted. I think I spent three hours on the first draft of the first half of my story. Then I went to bed. It's funny because it is one of those rare stories where I knew pretty much how it was going to end when I started. (With a slight deviation.) But even then, one hour? No way. Couldn't do it. No. No way. In one hour I had three paragraphs, a smudge and three drops of drool. (digital drool) That's it.
In fact, I'm not sure I'd want anyone to see my first draft, or one hour of my drivel. (Especially when fluids are involved.)
Anyway, I'm glad you said something Dominic, there's no way my story could have been written in an hour, and the last thing I would want the other writers to think is that I followed directions. No way it could be passed off as a rough first draft. (It's like seven pages long, for Christ's sake.) It took eight minutes just to print it. That's one-eighth of an hour. I'll probably just delete it.
I'm sure the judges will see through my clever act of stupidity and elevate my story straight to the top of the heap. Before disqualifying me.
This makes yours and all the other stories even more amazing. I may be out of my league, here.
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erm........unless....you were right??? and thats what was supposed to happen.......maybe i read the stupid thing wrong.......
also sorry if you are asking i made that up about trying to stick to the hour, i didnt. i was speaking to Trudy Jas about this. I Sat in a McDonalds last Saturday morning and pounded this out in an hour - yes, I didnt quite get it finished and was missing an ending which is why I had to rush something in a couple of paragraphs..... in the interest of complete transparency though ive had the idea in my head for a long time so its not like i came up with the whole idea also in that one hour! I just decided that was the time to use it.
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Well--I think you're right, Derrick. We were only supposed to spend an hour on our story. (After re-reading the prompt a few times.) It's a little like the U.S. Constitution's Second Amendment, just because everyone already knows what it means, doesn't stop plenty of people from misinterpreting it.
I was genuine in my intention to remove the story, but it appears to be impossible. Perhaps they have to 'permit' me to remove it. I don't see any way to do that from my end. It seems a shame too, I think it's an excellent story but it isn't receiving much in the way of positive feedback or attention. I was thinking of pulling it from this site and putting it somewhere else since it broke the rules here. But I tried and can't figure out how to delete it. I guess Reedsy's Robots figure they have that right. (I'm not so sure about that.) I should've read the fine print in the EULA. Anyway, it's no big deal. Just another of Reedsy's quirks.
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Its a very good story Ken and --- I wouldnt worry about it. ~To be honest, having read a lot of the entries for this comp, I feel quite a few of them went 'beyond the remit' for one reason or another. Some of them are hitting close to the 3000 words.... If anything I'm annoyed I didnt spend a bit more time polishing off mine lol
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You're right -- I won't.
It's funny, I suggested to someone on the site recently that I'd like to see a contest where we all submitted a first draft, or even a first and last draft. Or a first draft one week and a final draft the next. So I was actually down with showing my original, but as you know, the prompt never used the word 'draft' nor was it reasonable to (IMO) to suggest that a 1500 word (give or take) story could be composed in one-hour. I mean, I can write an hours worth of bullshit at the drop of a hat, but an actual story? I don't know about that. And would it be readable?
Anyway, I appreciate your candor about the whole thing Dominic. It's a weird feature of the site, kind of like having a disembodied television proctor for taking a test. Someone who issues rules and guidelines, but you can't ask questions or request clarification. My biggest problem, week to week, is coming up with an original idea, writing it and editing it effectively in the space of a week. I belonged to a writing group for several years that issued a new prompt every two weeks. It was a very good time-frame for me, and it allowed me plenty of time to read the other stories. The one-week deadline is realistic but it's a lot of pressure to produce a good story in that time frame. And it forces me to either write a story, or read other peoples stories, but not both.
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This was a great read. Had goosebumps at the end.
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Thanks Orwell. REally happy it had that effect on you as I wasnt sure if I'd stuck the 'landing'. (It was very rushed in the end!)
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This is a cleverly conceived and delivered story.
'I can't return to that quiet house of corpses and flies'
That's a harsh way for a character to refer to his family. But with grumpy wives and cranky teens? I guess it fits better than I know.
You paint a highly sympathetic character in realistic circumstances which contrasts nicely with the supernatural flavor of the story. The tension builds well and the ending is great, I didn't see it coming. I would have wished the last two paragraphs to be made a little clearer, but that's just an opinion.
All in all, it's a very creepy story.
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ThanksKen! It's meant to imply he killed his family at some point since visiting the school hence why it's now quiet with corpses and flies....but I was sticking to the one hour limit on the write and I was down to the wire at the end! Thanks for commenting 🙂
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I do love a good horror, and this certainly delivered!
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Thank you Ruby!
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This is a great horror, told in the true, understated Gothic style. I was absorbed from beginning to end, and that's all any of us can hope for. Great stuff, Derrick!
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REally happy to read this Rebecca, glad you enjoyed!
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Fabulously eerie and spooky feel to this. Was compelled from the start to keep on reading - the ghost stories hook had me! Great concept of the Japanese school tucked away in old Ireland and I loved the ending. Great job!
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Thanks so much Penelope! Really happy you enjoyed reading it :) The school was real and was located not far from me back in those halcyon days
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So good! Creepy. Even the mundane and normal can be filled with terror if we’re filled with dread over it all.
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Hi Anna! Thanks for this! Glad to see you are still around as ive been away again for a few weeks. This was different for me, sitting down with a timer to put an entire story down in one go. I've had this idea of wanting to write something based on those "Slow School Ahead" warnings painted on roads (We have them here anyway) for a long time so glad this prompt got it out at last.
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I’ve been away for a while too! Sometimes you just gotta be away, I get it! I love how inspiration can come from anywhere, and you did something really cool with it!
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There's a great tonal trick with this where the idea of returning to 'normal' life is always tinged with dread, and returning to the haunt feels like coming home. Reminds me of a particular Dracula adaptation where Renfield isn't driven insane; he's so relieved his master finally lets him be himself. Good to see you!
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Aw thanks Keba! I've been away for a bit but my writing mojo may be coming back... I'll check out some of your latest work soon! :)
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Perfect last line!
Great stream of conscious writing. The fluctuation of moods as he thinks about his life and opportunities. Skill and talent cannot be suppressed even in one hour. :-)
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Thank you Geertje! :)
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