Submitted to: Contest #311

No Man's Land

Written in response to: "Write a story that includes the words “they would be back…”"

Fiction

In the middle of London is a patch of ground which the locals call No Man’s Land. It lies between two fifteen-story residential blocks of graphite grey, and dislocated women often wave to the other dislocated women from across the breach, trying in their best of hearts to ignore the urban desolation that despoils their downward gaze.

There is nothing to stop them crossing this land, visiting these other women, and yet there is everything to stop them.

Ashantay, sipping her tea, looks down and wonders what it would be like to have a garden. She remembers the lockdowns when so, so twee breakfast presenters with expensive highlights and maxi dresses told the imprisoned viewers that there was always your garden to retreat to. And here is a marquee you can buy, and a barbecue set, all at the bargain price of a thousand pounds! No regard at all for the sweated millions who didn’t have a garden of their own.

She imagined that ugly space full of greenery and gossiping women, growing okra and fennel and turnips, but that was beyond all dreaming. Someone had bought this land after the war, when a bomb with a personal message from Hitler took out what had once been there. And no one knows how many manicured hands this land has passed between since then, but it is prime, and at some point, like another ticking bomb, they will no doubt demolish these ugly flats and build homes for Russian and Arabic millionaires instead. It is a waiting game, and all the while the game is playing out, the soil lies fallow and all the women can do is wave.

But how nature abhors a vacuum. And so it is filled with gang members, an HQ of sorts, girls and boys, fat, thin, stupid. They have commandeered this space so assuredly that no one can cross it to get to the other side. Men are threatened with a knifing, and women are intimidated and verbally abused: threatened with a good raping, of course, the lingua franca since time began. So how is it, thinks Ashantay, that a bony white woman down below is growing vegetables in a planter? Unmolested. How can this be?

‘How can this be?’ she asks Maria, when her curiosity can take no more and she braves the patch in slippered feet, the black hats too thin on the ground at this time of day to cause more trouble than a hostile stare.

And Maria puts down her trowel and rubs her back. The sunlight is not kind to her, the curse of the white skin, and yet she looks handsome all the same. And she touches Ashantay’s plump arm, a woman she has only waved to through grimy windows.

‘What is the one thing that everyone in the world is frightened of?’ she asks.

‘Rabies.’

‘No. One can always avoid stray dogs.’

‘OK,’ Ashantay says, thinking.

‘Cancer?’ she offers.

‘Well yes,’ Maria concedes. ‘But dying is life. I am talking about what petrifies a person when they are healthy. Try harder.’

And Ashantay, with her hair piled high and her dressing-gown hanging loose, trawls through all conceived fears: drowning, being burned alive, buried alive, finding out your daughter is a serial killer, until eventually she comes up with something that meets with Maria’s approval.

Witches!’ she says.Black magic, hoodoo, jinns, the hex …’

‘Now you are there!’ says Maria.

And Ashantay steps back, crossing herself.

‘They think you’re a witch?’

‘I’m a Methodist, Ashantay, but they’re morons.’

‘And what is it you do?’

‘I deploy a Paddington stare and offal from the butchers, but feel free to dip into your own culture. What do you have? Bad juju?’

‘We have all sorts of things,’ says Ashantay. ‘And I am also a Methodist!’

‘And there are Indian women here too, and others with their own witches,’ says Maria, warming to the theme. 'The Eastern Europeans, for instance. And you know, in India, even to this day, thousands of women are killed each year on charges of witchcraft. These unfortunates are called dayans ….’

Unaccountably, Maria’s eyes began to shine with saline tears. It was hard, Ashantay thought, to be a Tower Hamlets witch without a coven. And then Maria said something which acted as an epiphany on Ashantay, there on that poor ground where untold secrets must surely lie buried.

‘If we can’t make them respect women, we should make them fear us instead.’

And Ashantay laughed long and loud, because there was such merit to it.

*****

Ashantay’s husband did not at first agree. All men who love their women wish to protect them, but he cannot protect his own skin and organs against a machete blade. He is not a big man. In fact, he is much smaller than his beloved wife, but still the desire to protect her burns fiercely.

‘But you’re not a witch!,’ he said, slamming his hand on the kitchen table so the daffodils in the vase shuddered primly at the unaccustomed violence.

‘And you are not understanding me, husband!’ she countered. ‘We must fight fire with a bigger fire, man! You are more worried about what the people in our congregation will think. I don’t care what they think! I am beyond caring what anything thinks! I want to be able to visit the women on the other side, and I cannot do that while this evil lies in wait. And the good Lord made me and he made Maria and he made ALL of us, Samuel! He gave us wits, and we must use them. Why can’t you see that?’

And eventually, because Ashantay was bigger than him, he also saw such merit to it.

Ashantay and Marie lived in opposite blocks, which enabled maneouvers. They printed leaflets and heaved their bodies up a series of flights, on account of the lifts rarely working - and if they did work, no one trusted them to deliver. And afterwards, on quiet nights, windows open to the dusty breeze, small, explosive, definitive arguments could be heard between man and wife, and between mothers and children.

It isn’t safe!

But is that not the trouble? Why are we not safe? Who are these nasty children to tell us where to walk?

The owners will stop you!

Who are these owners? Where are they? Dubai? Moscow? What are we doing but planting vegetables and cultivating lost soil? Are we starting World War Three or do we just wish to walk between our buildings? To plant things? To eat the things we have planted?

You are naive, stupid!

And you are a coward!

And so the arguments continued, but by late April, the available surfaces in every flat were growing seedlings of tomatoes, cucumbers, peppers, onions, shallots, potatoes, garlic and artichokes.

Outside, spinach, lettuce and kale was sowed directly into the containers and, where the earth was amenable, directly into the ground.

Spices and herbs grew from the seven continents. Those tender babies from warmer climes were protected under cloches. Some thrived, and others did not, but what is the point of continents if everything thrives the same elsewhere? But Britain, with its oceanic climate, was kind enough to most.

Ashantay joined Maria, and then Ingrid, and then Aadhya, Sajani, Kristín, Axlam, Fatima, Sarah, Meghan, and their daughters. And the men, home from their work, watched from the windows and thought, They are doing this all wrong! They need a man to properly dig the soil, I would not put the Jerusalem artichokes just there, I could make better planters myself ...

And they might have been right, but it wasn’t the point, was it.

Around each patch was a symbol of Baphomet, the Eye of Horus, the heptagram, the hexagram, Icelandic sigils, the inverted cross, the sigil of Lilith, the seal of Solomon, the sigil of Lucifer, Vish Varupa, voodoo dolls, hoodoo dolls and frankly terrifying porcelain dolls in Alice dresses.

And the vegetables grew. And how they grew.

The gang made initial forays, but the industry, visible in the evening hours, made them think twice. They were children of chaos. This was not what they were used to. This was not their comfort zone. They kicked a few planters over, and when the seedlings tumbled to the hard ground beneath their feet, there wasn’t one of them who didn’t feel, perhaps for the very first time, their own inanity. Their very real pointlessness.

And from the windows, where the women were watching, they began to chant and to ululate, meaningless rhymes they had devised amongst themselves. And they fled from it, as Maria always knew they would.

By the end of summer, almost every woman had a plot and a death stare and a sigil of her own, but those slipshod baby-criminals were nowhere to be seen by then.

Ashantay though, she always said they would be back.

At Halloween, when no-man’s land became everyman’s land, where each continent had its own cauldron and each parent of a miscreant hauled them by their ears to sample the flavour of people, real people, who simply wished to cross a derelict patch of earth without threat, she repeated her belief. They would be back - and when the leader of that gang approached her to apologise, savouring a bowl of Dublin Coddle, she passed him a packet of fennel seeds and said ‘Begin here, little boy.’

Posted Jul 11, 2025
Share:

You must sign up or log in to submit a comment.

30 likes 38 comments

Keba Ghardt
21:48 Jul 12, 2025

Excellent title. A provocative swing between purpose and pointlessness, from the thugs to the husbands to the nebulous landowners. There's something satisfying about the land being reclaimed by the ancient and the natural, things that endure and things that grow. And I absolutely love that the inciting desire is human connection. Fantastic work

Reply

Rebecca Hurst
07:53 Jul 13, 2025

Thank you, Keba. As ever, your kind words are highly appreciated!

Reply

Derek Roberts
11:53 Jul 14, 2025

The diction of this story is so rich and so inviting. By tossing the reader into the middle of such an unusual problem, you force us to pay attention. It's lyrical and prosaic at the same time. That's rare. In just so many sentences and paragraphs, you invite the reader to a authentic and three dimensional world. It's especially poignant considering the state of the world today. Excellent story. Well done.

Reply

Rebecca Hurst
14:10 Jul 14, 2025

Thanks so much, Derek. I really appreciate it!

Reply

Raz Shacham
05:16 Jul 14, 2025

Ha! I’m getting strong waves of feminism and power-to-the-people energy from this. What an original idea and a brilliant story. So many layers—political, multi-cultural, socioeconomic—and at its heart, such a simple, powerful message of empowerment.
I'm smiling just thinking about the research you must have done into black magic for this piece (you did do some research… right? 😄)

Reply

Rebecca Hurst
05:22 Jul 14, 2025

Ooooh Raz !! Did I research or not, that is the question ...

Well yes, but only a little ! Being a pissed off woman with little time for teenage tearaways, I found the whole thing just dropped so easily onto my keyboard !!

Thanks for reading. I hope everything is quieter for you at present .. ?

Reply

Raz Shacham
05:45 Jul 14, 2025

It’s quieter on our end for now, thank you, Rebecca.
But you’ve inspired me to defend against whatever comes next—with a Jerusalem artichoke. 😃

Reply

Rebecca Hurst
06:59 Jul 14, 2025

I shall send you a batch immediately !!

Reply

Ken Cartisano
14:37 Jul 13, 2025

This is another wonderful story. One which aptly describes the human condition to a 'T'. From the pointless immature and unfettered energy of youth, to the solemn determined wisdom of elderly women.

Reply

Rebecca Hurst
15:00 Jul 13, 2025

Thanks, Ken. I'm glad you appreciated it .. in fact, I am currently practising my witchcraft skills !

Reply

Rebecca Hurst
15:02 Jul 13, 2025

Btw, I've always wanted to ask .. is that you on the left of your photo - and is that Leonard Nimoy on the right?

Reply

Ken Cartisano
15:39 Jul 19, 2025

Yes ma'am, that's me on the left. The guy on the right is a dead ringer for Nimoy. This was taken on a famous street in Las Vegas (almost ten years ago) where there's a tradition of street performers who impersonate famous and/or infamous people. You flip them five bucks (back then) and they let you take a picture of them.

Reply

Rebecca Hurst
15:47 Jul 19, 2025

Well, all I can say is that this bloke deserved his money !

Reply

Alexis Araneta
15:17 Jul 12, 2025

A (literally) delicious tale! Loved the imagery mix of vegetables and a coven. Hahahaha! Lovely work!

Reply

Rebecca Hurst
07:51 Jul 13, 2025

Thank you, Alexis. Much appreciated!

Reply

Dorothy Chabot
17:48 Jul 23, 2025

wow great job I loved your story.

Reply

Rebecca Hurst
18:51 Jul 23, 2025

Thank you so much, Dorothy. I really do appreciate that!

Reply

Helen A Howard
16:16 Jul 23, 2025

So interesting - the history of space. You create such atmosphere. I love these bold women owning their own space and not being intimidated. This would be a great pattern for people to follow in troubled times. Very original story.
Very enjoyable read. Uplifting.

Reply

Audrey Fox
16:57 Jul 22, 2025

There are so many themes to take away from this story. My first thought while reading was the recognition of dystopian stories and how they are often an exaggeration of reality's current state and the forms of oppression that have historically existed among humans. The ending though recognized the power of influence, marketing, and the group in defying oppression and violence. The writing itself carved a beautiful story and spoke to your experience as a writer - very vivid details and and a plot that held my attention. It was really an effective reading and more than anything, I love a good story about women coming out on top. Thanks for sharing.

Reply

Rebecca Hurst
17:01 Jul 22, 2025

Thank you Anya. These are very thoughtful comments, and I take a lot from them.

Reply

Mary Butler
23:35 Jul 21, 2025

What a vivid, fierce, and unforgettable story—equal parts heart-wrenching and triumphant. I absolutely loved the line, “If we can’t make them respect women, we should make them fear us instead.” That moment cracked open something bold and ancient and wise, and I felt the spark of every woman who’s ever had enough. The way you layered trauma, community, absurdity, and magic into a reclamation of space was masterful. The symbolism—those sigils, the wailing chants, the planters full of resistance—was so satisfyingly defiant. It’s a modern-day myth told with grit and grace. I was cheering for Ashantay, Maria, and the whole coven by the end. Thank you for writing something that feels both deeply rooted and wildly original.

Reply

Rebecca Hurst
07:56 Jul 22, 2025

Thank you, Mary. In this increasingly dangerous world, I do sometimes wish people were just a little braver. This is a wonderful critique, (something I'm not very skilled at), and I really appreciate it! Thank you.

Reply

Thomas Wetzel
04:20 Jul 17, 2025

Brilliant. You had to know I was going to adore this. So dark and cool, plus I love revisionist history. (Me and my son just watched Inglorious Basterds over the weekend.)

"Men are threatened with a knifing, and women are intimidated and verbally abused: threatened with a good raping, of course, the lingua franca since time began."

This passage packs a real punch. Really well worded. Also, I didn't know about the Dayans. I love learning stuff like that. You also mentioned eastern European witches and I just read Christopher Buehlman's novel "The Necromancer's House" which features Baba Yaga and her house on chicken legs.

One thing though. You mentioned herbs and spices from the seven continents. Can you remind me which herbs and spices come from Antarctica? (Just fucking with you, Rebecca. Great story. Loved it.)

Reply

Rebecca Hurst
07:34 Jul 17, 2025

Know what, I was thinking when I typed Antartica that some inglorious bastard would remind me that they don't grow any herbs, and that if I'd left it out and said the six continents, some inglorious bastard would tell me there were seven !

Inglourious Basterds is one of my favourite films. I've always been a sucker for a good WW2 film - my all time favourite being The Great Escape.

Well, I love your comments, as ever. Thanks, Thomas.

Reply

Thomas Wetzel
08:37 Jul 17, 2025

Yeah, you kinda painted yourself into a corner there, Becca. Fortunately, 99.999% of the human population is not a complete and total basterd like me. You know I'm just fucking around and I love you though. This story was awesome. And who knows? Maybe there are some parts of Antarctica that sprout herbs at certain times of the year? I aint never been there. Wtf do I know?

If you like WW2 movies, check out the German film "The Captain" (Das Capitan). I don't know if du sprichst Deutsche, but if not it is still worth watching with the subtitles. Based on a true story, and a crazy story.

Reply

Rebecca Hurst
09:58 Jul 17, 2025

I love watching with subtitles. Honestly, the dubbing into English is usually so bad it makes me switch off. Yeah, I'll give Das Capitan a whirl, if I can find it !

(I know you're only kidding, Thomas. We Brits do irony better than most!)

Reply

Thomas Wetzel
10:43 Jul 17, 2025

I know! You guys taught us about irony, and the whole English language - which we have totally and shamelessly perverted - and everything else. I regularly use terms like "prolly" and "muhfucker". We are just your stupid and crazy little brothers over here, intent on destroying the world because we think that's fun. Just shoot us in the head while you still can. Otherwise we will take this whole thing down like Ahab's ship. I'm not even kidding. We scare me. And I don't scare easy. (See what I mean about perversion of the language? I have a fucking Master's degree and couldn't finish this single fucking sentence without resorting to expletives.)

You can catch "The Captain" on Prime Video. Ich hoffe, es gefällt Ihnen.

Reply

Rebecca Hurst
11:46 Jul 17, 2025

Ah, I don't have Prime. I don't like Amazon. Some Americanisms are great, but the only one that really grinds my gears is 'gotten,' which all Americans seem to use. It's just an abomination - but hey ho!

With regard to expletives, the Brits are no better - in fact, I'm reasonably sure it's where you got it from. Our European 'neighbours' rarely swear at all. I love swearing !

Reply

12:04 Jul 16, 2025

So much to love about this Rebecca! The humour, the culture, the politics... and the witch craft! What an amazing piece with so many layers and your individual voice absolutely coming through. I think it's brilliant. What an original idea and so well crafted! I hope you win!

Reply

Rebecca Hurst
12:54 Jul 16, 2025

Thanks, Penelope! I really appreciate your kind comments !

Reply

Mary Bendickson
01:15 Jul 15, 2025

Good way to combat destruction

Reply

Rebecca Hurst
07:49 Jul 15, 2025

Yes, I believe it is! Thanks for reading, Mary.

Reply

Tamsin Liddell
22:26 Jul 13, 2025

Love your sense of humor, Rebecca. And this is such a great story (as usual from you).
Plus "No Man's Land" works in so many levels.
Only question I have, during the editing period anyway, is if you intend the verb tenses to shift back and forth as you have. Not saying it didn't work—I only noticed on second pass—but it's just one of those things.
Well done.

-TL

Reply

Rebecca Hurst
05:09 Jul 14, 2025

Thanks, Tamsin. I appreciate you reading this.

With regard to the tenses, I have looked through and it's sitting OK with me. I guess it's slightly subjective, like the placement of a comma !

I have used the present tense in the period before Ashantay's 'epiphany,' and the past tense thereafter.

Mind you, going through it again, I have changed other things about it that I might not have been prompted to do otherwise, so I am grateful to you, as ever !

Reply

Tamsin Liddell
14:12 Jul 14, 2025

I'll be honest, I have no clue as to what you changed. But it's as sharp as before, if not sharper, so it must've been right. :)

As for verb tenses, it's a bad habit of mine. I'll find whole paragraphs inverted. I'm sure I could make use of it at some point, but when I read myself, I think past is much more natural. But to each their own. Like I said before, I only noticed it on the second pass (when I'm more detail oriented), and I don't deny: it works.
-TL

Reply

Rebecca Hurst
15:34 Jul 14, 2025

You're right, though. Generally speaking the past tense is much easier. With the present tense you have to keep remembering. One of my problems is with character's names. I have a habit of changing them in the last few paragraphs. For instance, the Maria in my story started off as Marie and then morphed somewhere along the way ! I do that a lot.

Reply

Unknown User
13:24 Jul 17, 2025

<removed by user>

Reply

Rebecca Hurst
14:01 Jul 17, 2025

Thank you, Jacqueline. That is hugely complimentary and I really, really appreciate it!

Reply

Reedsy | Default — Editors with Marker | 2024-05

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.