The world hums. Not the gentle thrum of a refrigerator or the distant drone of traffic that most people tune out. For me, it’s a different kind of sound, a constant, low-grade static that lives inside the walls of every building, coiled in copper veins. I’m an electrician, which is either a cruel irony or the universe’s idea of a sick joke. I spend my days surrounded by the very thing that isolates me.
Every wire, every circuit, holds a residue of the life that passed around it. It’s not a voice, not exactly. It’s more like the ghost of a feeling. A faint, electrical echo of joy, or rage, or the deep, quiet ache of sorrow. Most places are just a meaningless jumble, a cacophony of emotional noise like a crowded room where you can’t make out a single conversation. I’ve learned to build shields in my mind, to turn the volume down until it’s just a background buzz I can ignore.
Most of the time.
The old Victorian on Elm Street was different. From the moment I stepped inside, the hum was a chord, resonant and clear. It wasn't the usual chaotic noise; it was a symphony of a single, protracted story. The air was thick with it, a pressure against my eardrums. I ran a hand along the dusty floral wallpaper in the foyer, and a jolt shot up my arm—not of electricity, but of feeling. A wave of giddy, breathless anticipation, so potent it made my own heart skip a beat. He’ll be home soon. He’ll have the letter.
I shook my head, trying to dislodge the foreign emotion. The homeowner, Mrs. Gable, a woman with kind eyes and a checkbook that could probably solve world hunger, was explaining the scope of the work. “Total gut job, Elias. The knob-and-tube is a fire hazard. We want everything brought up to code before we move in.”
“No problem,” I said, my voice sounding distant to my own ears. The giddiness was fading, replaced by a low thrum of contentment, the feeling of a Sunday afternoon with sunlight streaming through the windows. It was pleasant, but it wasn't mine.
The real problem was Clara.
“You were a million miles away last night,” she said, her voice a soft counterpoint to the sizzle of bacon in the pan. We were in her kitchen, a bright, modern space with stainless steel appliances and wiring less than five years old. The hum here was faint, a gentle whisper of her calm, organized life. It was one of the few places I could truly relax.
“Just tired,” I lied, sipping my coffee. “The Elm Street house is a big job.”
She turned, spatula in hand, and fixed me with a look that saw far too much. “Is that all? You’ve been quiet for weeks. It feels like you’re building a wall around yourself, brick by brick.”
She was right. The wall was my oldest and most reliable tool. It had to be. How could I explain to this wonderful, logical, loving woman that I couldn't fully be present with her because the ghost of a stranger’s argument from 1973 was buzzing in the lamp beside her bed? How could I tell her that when I held her, I sometimes had to fight off the phantom sensation of someone else’s embrace, a memory left behind in the electrical grid?
“I’m just stressed,” I said, the words tasting like ash. “I’m sorry. I’ll be better.”
She didn’t look convinced, but she let it go, and the guilt was a physical weight in my chest.
Work at the Victorian was an exercise in psychic archaeology. As I pulled out the old ceramic knobs and brittle, cloth-wrapped wires, the story grew louder. I was just the electrician, but I was also an unwilling audience to a life lived within those walls. I learned the couple’s names without ever being told: Arthur and Eleanor.
The giddy anticipation I felt on the first day was Eleanor’s, waiting for Arthur to come home from the war. The Sunday contentment was theirs, years later, with a daughter whose laughter I could almost hear, a bright spark that crackled in the nursery’s wiring.
But as I moved into the second week, the tone of the house began to change. The hum shifted to a minor key. In the dining room, where I was mapping out new outlets, I was hit with a wave of bitter resentment, sharp and metallic like blood. He never listens. He talks and talks about his work, but he never asks about my day. Eleanor’s frustration was so intense it gave me a headache.
I started staying late, obsessed. I’d sit on the floor in the dust-filled silence, my hand on a thick artery of wires I’d yet to remove, and just listen. I was piecing together their marriage from emotional shrapnel. There was love, a deep and abiding love that hummed a baseline beneath everything else. But it was being frayed by unspoken disappointments, by the slow erosion of time.
Clara called me one night while I was there. “Are you still at the house? It’s almost nine.”
“Just wrapping up,” I lied, leaning my head back against the wall. A current of Arthur’s weary defensiveness was seeping into me. She doesn’t understand the pressure I’m under.
“Eli, this isn’t working,” Clara’s voice was tight with unshed tears. “You’re shutting me out. If you don’t want to be with me, just say it. Please. Don’t just… fade away.”
“That’s not it. I swear, Clara, it’s not you.” My own desperation felt tangled with Arthur’s. The two emotions were becoming indistinguishable.
“Then what is it?” she pleaded.
The secret was a stone on my tongue. I couldn’t say it. She would think I was insane. She would leave, and the quiet of her apartment, my one true sanctuary, would be lost to me forever. “I can’t explain right now. Just give me a little more time. This job is just… it’s getting to me.”
I hung up, my hand trembling. The house sighed around me, a chorus of Arthur’s regret.
The climax of their story, the emotional crescendo, was in the master bedroom. The hum was loudest there, a painful, vibrating roar. I found the spot behind the headboard, a chaotic knot of old wiring. The moment my fingers brushed against it, the full force of their final, terrible argument slammed into me.
You’re suffocating me, Eleanor! The rage was a white-hot current, burning and blinding. Arthur’s.
I’ve given you everything! My entire life! Eleanor’s despair was a chasm, cold and absolute.
A slammed door that shook the whole house. The squeal of tires in the driveway. And then, a silence in the wires that was more terrible than the noise. It was a void, an emptiness where Arthur’s presence used to be. It was followed by a lifetime of Eleanor’s sorrow, a low, constant hum of loss that had seeped into the very plaster. It was the hum of a woman waiting for someone who would never come home again.
I stumbled back, gasping. I finally understood. The house wasn’t haunted by a ghost, but by the memory of a choice. A departure. A heart broken so completely it had permanently scarred the space around it.
That’s when I heard the front door creak open downstairs.
“Elias?”
Clara.
My blood ran cold. “I’m up here!” I called out, my voice hoarse.
She appeared in the doorway of the bedroom, her coat still on, her face pale and determined. “We’re talking. Now. No more excuses, no more ‘give me time.’ Tell me what’s wrong, or I’m walking out that door and I’m not coming back.”
Her ultimatum was a perfect echo of the scene that had just played out in my head. The past and the present were collapsing into a single, unbearable moment. The hum in the room intensified, feeding on the raw emotion of our own confrontation. Eleanor’s sorrow, Arthur’s anger, my fear, Clara’s pain—it was all swirling into a vortex that was pulling me under.
“You don’t understand,” I stammered, backing away from her, toward the wall, toward the knot of wires.
“Then make me!” she cried, taking a step forward. “Because I love you, you idiot, and I’m watching you disappear before my eyes!”
Her love was a pure, clean note in the overwhelming dissonance. It was the only thing that felt real. And I knew, in that instant, that I had to choose. I could let her walk away, and live in the quiet, protected solitude of my wall forever, surrounded by the echoes of other people’s lives. Or I could tear the whole thing down and risk everything for a chance at my own.
The hum was a scream in my ears. I couldn’t think. I couldn’t form the words. So I acted.
“Clara,” I said, my voice breaking. “Come here.”
Warily, she approached.
“Give me your hand.”
She hesitated, then placed her hand in mine. Her skin was warm, real. I turned and, before I could lose my nerve, I pressed her palm flat against the exposed, tangled knot of old wires.
It wasn’t a live circuit; the main power was off. But the emotional current was at its peak.
Her eyes went wide. A gasp escaped her lips. Her whole body went rigid. I knew what she was feeling, because it was pouring into me as well, amplified by our contact. The crushing weight of Eleanor’s loneliness. The scent of rain on dry pavement from the night Arthur left. The phantom sound of a door slamming shut, an echo of a final, fatal mistake. It was a lifetime of regret, delivered in a single, devastating second.
She snatched her hand back as if burned, staring at the wall, then at me, her breath coming in ragged bursts. Her face was a canvas of shock and utter disbelief.
The hum in my head receded, the storm breaking. The silence she left in her wake was profound. I stood before her, completely exposed, the secret I had carried for a lifetime finally laid bare.
“What… what was that?” she whispered, her voice trembling.
And for the first time, I told her everything. The words came spilling out—about the hum, the echoes, the feelings in the wires. About the wall I had built and why I had been so distant. I told her that her apartment was my only sanctuary, and that I was terrified of losing it, of losing her.
We stood there for a long time in the dust and the silence of Arthur and Eleanor’s bedroom. The house still hummed around me, a sad, quiet song of what was lost. But for the first time, it wasn’t just my burden to bear. Clara looked from my face to the wall, and back again. She didn’t run. She didn’t call me crazy. She just took a slow, deliberate step forward and gently, cautiously took my hand in hers again. The hum was still there, a part of me, a part of my world. But in the quiet space between our joined hands, I could finally feel the beginning of my own silence.
You must sign up or log in to submit a comment.
This is a great idea. You build the tension well, using the timeline of Arthur and Eleanor to ramp it up, weaving the protagonist's increasing fear and Clara's increasing suspicion together. The climax is shown: his choice, what he decides to do and the happy ending as a result. This works because you show us his emotions so I get to feel along with him. There is, in fact, very little description of the setting: just enough, the pertinent details of cloth-wrapped wiring and dusty wallpaper to give the story a sense of place. You had me hooked right to the very end. :)
Reply