I’m not much of a storyteller, not really. In fact I'm not even sure why I'm sharing this story with you. I’m a simple man, a working man. I’ve spent twenty years in the same joint, the Greenleaf Gentlemen’s Club. It's a little dive on the side of the 605 freeway in Whittier that glows like a dirty broken tooth in the dark.
I’m the kind of guy who does what needs doing. Bouncer, DJ, manager, short order cook, are some of the titles I’ve had there. If the fryer breaks down and the girls are hungry, it’s Mario who makes sure the mozzarella sticks don’t come out soggy. If a drunk gets handsy with the girls, or loud, it’s Mario who shows him the door. If the soundboard dies in the middle of a dancer’s routine, it’s Mario who flips the switch. I handle it all, and as smooth as a knife through creamy peanut butter.
The club and I, we’re married, in a way. I’ve seen more of its bones and secrets than any husband sees of his wife. And, listen, I’ve seen everything. Knives slipped out of cowboy boots, marriages dissolved in the champagne room, a mayor’s middle aged son begging for a discount while pawing a girl who couldn’t have been more than nineteen. Twenty years, and nothing surprises me anymore.
Except her.
Her name, well, let’s say it was Sapphire, because isn’t it always some kind of jewel? She sashayed into the club like she already owned it. Didn’t flinch at the peeling carpet or the stale beer smell. Didn’t even blink at the guys in their sweat stained polo shirts and desperate eyes. She just climbed up on stage during audition night and moved like gravity obeyed her hips and not the other way around.
The other girls hated her instantly. The customers loved her instantly. And me? I’ll admit it, I was cautiously curious.
Sapphire wasn’t the kind to flirt in the backroom or hang on a guy’s arm. She danced, she cashed out, she vanished like smoke on the night breeze. The kind of woman who doesn’t leave fingerprints or lipstick on a glass.
That should’ve been my first clue.
The money went missing on a Tuesday. Always a Tuesday. Why? I suppose slower nights make it easier to slip unnoticed. End of the shift routine is that we count up the tills, the tips, the take from the ATM that bleeds twenty dollar bills like a hemophiliac. We’re talking thousands. Gone.
I was there, of course. Always am. Manager, remember? My eyes were on the counters, the girls lining up to collect their cuts. Everyone is restless, because if the house comes up short, it’s everybody’s problem.
“Someone’s got sticky fingers,” said Tanya, queen bee of the day shift, snapping her gum like a gunshot.
“It’s Sapphire,” another one hissed.
Of course it was Sapphire. New girl. Mysterious girl. Too good to be true girl.
She denied it, cool as ice. Swore on her kid’s life, even though nobody even knew if she had a kid. Swore she hadn’t touched a dime.
And I, good old Mario, nodded and said, We’ll figure this out.
Now, let me explain something to you. Clubs like ours don’t call the cops if they can help it. Cops bring paperwork, headlines, and trouble. We handle things in house. But this was a big pile of cash, bigger than we could sweep under the carpet. The owner, a sweaty, fat man with a perm, named Rico who hasn’t set foot in the place since the 1995 smoking ban, was breathing down my neck.
So the whispers started. Sapphire’s bag checked, her locker checked, her car checked. Nothing. But suspicion doesn’t need evidence, it just needs a spotlight. And Sapphire was standing right under it.
I felt sorry for her, I really did. She looked at me once, eyes wide and shining, and said, “You believe me, don’t you, Mario?”
And I said, “Of course, baby girl. You know I do.”
And the thing is, I think I meant it when I said it.
But here’s the funny thing about memory. It shifts, like tectonic plates shift the California landscape. You think you’re telling the truth, but the truth’s already walked out the back door with someone else.
Weeks passed. Money kept slow dripping away, never as much as that first night, but enough to be noticed. A hundred here, two hundred there. Always on Sapphire’s shift. Always when she was in the building.
I swear I saw her once, slipping something into her purse. Might’ve been lipstick. Might’ve been cash. The mind fills in blanks.
By the time the cops got involved, the story had written itself. Sapphire, the thief. Sapphire, the liar. Sapphire, the smoke you couldn’t hold.
She cried in the back office when they cuffed her. I told her, real soft, “Keep your chin up, baby girl. It’s gotta be a misunderstanding.” Like I was the good guy. Like I was her friend.
The trial was quick. Slam dunk. No jury in the world likes a stripper. They see heels, they see glitter, they hear single mom, and the verdict’s already guilty. They brought up her past. Wasn’t hard core or crazy, just some petty theft when she was a teenager, shoplifting lipstick from a Walgreens in Houston, but that sealed it.
The girls didn’t bother showing up at the trial. The customers honestly didn’t care. Me? I testified. Told the court what I’d seen, or what I thought I’d seen. Which is the same thing, really, isn’t it?
Sapphire went down for it. Three years. Maybe two, with good behavior.
Here’s the part where I’m supposed to say I felt bad. That I lost sleep, that I saw her face in my dreams. But the truth? I slept like a baby.
Because the thing is, it wasn’t Sapphire.
It was me.
I’d been skimming for years. Little bits here and there. Enough to pay off debts, enough to sock away for the future. You work two decades in a dump like Greenleaf's and tell me you don’t feel entitled to a little retirement plan. The girls skim off dances, the bartenders skim off drinks, so why shouldn’t I get my cut?
But greed’s a funny animal. You feed it scraps, it grows fat. You tell yourself you’ll stop after the next score, then the next. Then one night you’re looking at a stack of cash on the counter and your hand just moves. Instinct.
Sapphire was a gift. A magician’s distraction. All eyes on her, while I slipped the rabbit out of the hat.
Framed isn’t the right word. I didn’t plant the money on her or anything. I just let the story breathe. Let it find its own shape. And when the time came, I nudged it along. A word here, a look there. Testimony under oath. That was enough.
And now?
Now I’m telling you this from a deck chair in the Mexican Riviera, salt on my lips, sun on my skin, and a drink sweating in my hand. The club still grinds away off the 605 freeway, like a dirty, broken tooth, rotting in the dark. Sapphire still sits in a cell, counting the days. Rico still rants about thieves while lighting cigars with twenties.
And me, good old Mario, after twenty years of mozzarella sticks and glittery hugs from the girls—I’m finally free.
Or maybe none of that’s true.
Maybe I never left. Maybe I’m still in the club right now, frying onion rings while the girls argue in the locker room. Maybe Sapphire was guilty after all, and I just like spinning stories, twisting them around until they shine like fool’s gold.
Because here’s the thing about Mario, I’ve seen it all, sure. But what I tell you I’ve seen?
That’s another story entirely.
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Liked the laconic, wry, Chandleresque almost self-mocking voice of the first person narrator and the way the metaphors and oblique descriptions populated the appearance of the club without any outright direct narrative description. In Chandler's books the plot doesn't necessarily have to make complete sense... for example when filming The Big Sleep the director sent a telegram to Chandler saying that nobody could work in who killed the chauffeur and Chandler sent a telegram back saying he couldn't either. Part of the reason for that was that Chandler wrote his books as a series of scenes which were then stitched together rather than being the product of a chapter by chapter unfolding pre-planned plot. Your work seemed also to me to be a composition of individual scenes each disappearing into the next which is part of why I enjoyed it so much. In your story I'm not sure why, if he had been stealing for years, the discovery of short falls only coincided with the arrival of Sapphire but the writing is so intense and interesting that the reader hardly has pause to notice... also on a practical point, if this is in America, convictions sustained by juveniles are usually sealed within the records and never accessible for use in prosecutions of crimes committed by them as an adult but there are exceptions... to an American audience this might be more obvious than it might appear to readership in the UK. I'm not sure about the ending and it's intriguing ambiguity. As I read towards the ending I thought that it might conclude with him effectively implying or directly expressing that the narrative was his confession which he was going to send to the authorities to exculpate Sapphire because he was in a location which he had not disclosed or where there was no extradition. Thank you for the chance to read this fantastic story, I really enjoyed it and learnt things I hope to be able to export into my own writing.
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What a ride this story was—gritty, sharp, and slick with just the right amount of noir. The line that really stuck with me was “She just climbed up on stage during audition night and moved like gravity obeyed her hips and not the other way around.” That one sentence tells you everything you need to know about Sapphire, and sets the tone perfectly for the illusion she becomes.
You nailed Mario’s voice—world-weary, pragmatic, and disturbingly likable, even when he’s pulling strings behind the scenes. There’s something so unsettling yet satisfying about the slow reveal of the real thief. It felt like a confession whispered from behind a smirk. The pacing, the tone, the ambiguity in the ending—it all lands beautifully. This could’ve easily been a monologue in a late-night crime drama, flickering neon lights and all. Really compelling work.
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Thank you so much for your thoughts! You definitely made my day
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Very clever! Good for him.
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Nice!
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A terrific tale of deceit, with the flashy stripper an innocent victim of Mario’s greed. Loved the plot twist!
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Thank you!
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Mario and Rico…., ❎🤔
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Great story and like the sleazy style of speech. But I lost the punch line...
"Because here’s the thing about Mario, I’ve seen it all, sure. But what I tell you I’ve seen?"
What do the last 8 words mean?
Does it mean 'what I say is true?'
or 'Do you believe me?'
or 'This is what I mean to tell you -maybe it's true'
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