What is a Novella (and How to Write One): Tips from an Expert
What is a novella? Well, if you’re struggling to finish a novel, transitioning from short stories, or looking to test-run a book series, then it might just be the answer to your writing prayers! In this post, we’ll show you how to write a novella, how long it should be, how it differs from a novel, and how to nail your story elements. But before we get on to that, let’s make sure we’re all on the same page with its definition.
What is a novella — and how is it different from a novel?
Shorter than a novel but longer than a short story, the novella is characterized by its in-betweenness. Think of it as the goldilocks form: it finds that ‘just right’ spot between a short story that feels rushed, and a shaggy, bloated novel. Novellas can be extremely powerful, because they retain the intensity of shorter fiction and still feature the meaty, living, breathing characters you find in longer fiction.
How long is a novella?
The average novella length ranges between 17,500 and 40,000 words. This range is regularly cited by publishers and literary awards such as the Hugo and the Nebula. However, there is a little wiggle room. Fantasy novellas sometimes extend beyond this, for example, and several literary journals accept stories that fall closer to the novelette bracket of 7,500 to 20,000 words (and yes, novelette is the adorable name for a shorter novella).
The particular demands of this length make it one of the most exciting yet challenging forms for writers. So, we turned to an expert for tips: Reedsy professional Sara Kelly is a specialist in all fiction forms short and polished. In this post, we’ve used her insider advice on how to write a novella to put together seven handy tips.
How to write a novella: 7 tips from an editor
- Flood your reading list with novellas
- Nail down your central conflict
- Let your character drive the story
- Keep your supporting cast small and central
- Don’t write by the seat of your pants
- Commit to a time and place
- Ruthlessly revise and cut your story
1. Flood your reading list with novellas
It may sound painfully obvious, but mainlining a few novellas before you begin writing will help you internalize the distinctive rhythm of these shorter pieces. It’s also a great way to find out what readers expect from a novella, and to take stock of elements that make the form unique.
You’ve probably read a few novellas already — Animal Farm, Of Mice and Men, The Strange Case of Dr Jekyll and Mr Hyde — but you’ll need to revisit them. And this time, instead of consuming them purely for pleasure, read from the perspective of a writer.
Consider the novella’s pacing as you read
One hallmark feature that you might spot in your reading is the fast-moving pace. “While novels have the luxury of detailed exposition and complex timelines, most novellas stay on a single trajectory to keep the reader propelling towards the climax,” Sara says. If you want to get a sense of how novellas maintain pacing, here are a few things to consider while you read:
- Are there subplots? If so, how many? How much space is devoted to them? Do they involve the protagonist?
- Are there flashbacks and backstories? If so, are they mentioned briefly, or perhaps just alluded to in dialogue?
- How long are the sentences? Do they report action or are they highly descriptive?
As well as asking yourself these questions, you might want to take a look through our guide to pacing a story for some tips and tricks!
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2. Nail down your central conflict
Conflict should be the driving force behind any narrative. It’s what makes a character’s journey interesting to readers. Without it, a story would just be a meaningless series of events (unless you’re writing avant garde, abstract, literary fiction, in which case we’ll turn a blind eye).
Sarah emphasises the added importance of nailing down your central conflict when writing a novella. “Unlike a novel, where you might get away with having a complicated, multi-layered plot, the novella’s shorter length requires you to keep the conflict streamlined.” Your central story thread should always be exerting its gravitational pull.
There are seven main types of conflict to choose from, but broadly speaking, they can all be lumped into two categories:
- External conflict: In The Turn of The Screw, a governess struggles to protect her two charges from evil spirits.
- Internal conflict: In Thomas Mann’s Death in Venice, a middle-aged writer battles his obsession with a teenage boy.
Either way, like any movie-trailer guy worth his salt, you should be able to summarize your central conflict in a single sentence!
3. Let your character drive the story
Novellas are often a perfect vehicle for character studies — stories that drill down into what makes a character tick. So make sure your protagonist is sculpted with subtlety and depth. You should know more about this character than you do about your best friend: the birthmark on their thigh, their awkward, croc-wearing cousin, the time they let one rip at yoga. Even if the details don’t make it into your story, using a character profile or character development exercises will prevent you from moulding a protagonist that’s just a shallow pool of cliches.
While every character should evolve from the inside out, it’s even more important to take this approach when you’re writing a novella. You should begin with these three core elements:
- The Goal: What does your character want?
- The Motivation: Why does your character have this goal?
- The Arc: Will your character undergo fundamental changes over the course of the story, or will they remain largely the same?
Then you can get into the nitty-gritty 🔍 Like that birthmark we mentioned earlier!
Try telling your story from one character’s perspective
While many novelists now take a page from George R.R. Martin’s book and write sprawling sagas with countless point of view characters, Sara believes that this is not a luxury novella writers can afford: “For the reader to get to know your protagonist intimately, you should remain in one character’s point of view throughout your novella.”
If this is your first go at writing a novella, why not try first-person POV? Telling the story through the eyes of a single character will help you avoid an ever-unravelling narrative. And don’t worry, it’s not as limiting as it may seem! Just as you can tell when a person you’re speaking to is upset, your narrator can indicate other characters’ emotions with observations of behavior.
Or have a go at writing an unreliable narrator
First person point of view also opens up the possibility of an unreliable narrator, one whose perspective, agenda, or bias makes the reader question the truth of their account. In The Yellow Wallpaper, the first-person narrator is a woman accused of insanity and forced to stay in a room with unsettling yellow walls. Descending into madness, she is the definition of unreliable. But because the story is told from her perspective, we (the readers) are more likely to trust her over the calm, rational words of her physician husband. Do we really think there’s a woman trapped behind the wallpaper? Definitely not. And yet, readers bypass their scepticism, listen, and relate.
4. Keep your supporting cast small and central
With the limelight on your protagonist, all other characters in your novella should be supporting, not featured. “That’s not to say that your ancillary characters cannot be characterized vividly and made to feel like fully realized individuals,” Sara says. “But when it comes to true character development, arcs, and innermost thoughts and feelings, stick to your main character.”
It helps to keep your cast small. Define your protagonist, then decide on one or two central relationships that serve an essential function. Whenever you introduce a new character, make sure that they contribute either to the central plot or to your protagonist’s arc. If they don’t, you’ve got two options: cut them completely, or amalgamate them with another character.
2 Become 1: Merge your characters
At the opening of your story, you might have a distant relative visit your protagonist — maybe a great aunt. Excellent at finding fault, she’s practically deaf, and almost always the perpetrator of the silent-but-deadlies. She’s there for a bit of comic relief. You also invite a dull uncle along, to be the bearer of a wild family secret that kickstarts the story.
At the rewrite stage, if you’ve got a bloated word-count or a disorderly cast, you might rework things so that the flatulent aunt reveals the secret that serves as the story’s catalyst. That streamlines your character count, and gives the aunt (who otherwise comes out with some scathing one-liners) a reason for existing in the story.
5. Don’t write by the seat of your pants
“With fewer words at your disposal,” Sara says, “the novella is one form in which it helps to outline.” Before you start writing, you should be able to clearly chart the narrative arc of your story: the major plot-points, the peaks and plateaus, and the ending. “You should also have an idea of roughly how long it’ll take you to reach each milestone.”
While novels can afford to have an episodic feel — where each chapter almost tells its own story — novellas require a tighter structure. Without natural stopping points every forty pages or so, narrative architecture becomes very important. The reader needs traditional story beats to carry them along, otherwise they can quickly begin to wonder, where is this going?
There are countless ways to outline a story, but one storytelling model that has its fingerprints in lots of novellas is ‘The Hero’s Journey’. It has multiple incarnations — including the three act structure, the story circle, and the seven beat structure — but they all follow the same pattern:
- A protagonist leaves the comfort of their everyday life and ventures out in pursuit of something they want.
- Just as they are about to achieve this (land the job, prevent the apocalypse, triumphantly reclaim the family swimming cap factory) a conflict is thrown up and they realize there’s a price to pay.
- They must decide whether to pay the price or not and live with the consequences!
If this model sounds helpful to your story, use it to plot ahead before you start writing!
6. Commit to a time and place
Recalling her Aristotle, Sara suggests putting a limit on where and when your story takes place. “Your narrative should occur within one span of time, typically ranging from a few hours to a few months, and the action should be confined to one space.” James Joyce’s The Dead, set over the course of a single night at an annual dinner-dance, is a shining example of how Aristotle’s unity of action, time, and place shapes a brilliant novella.
This is because, while a novel can afford to take the scenic route to the summit — to ramble through backstories, change perspective, and diverge down the path of a subplot — ideally, a novella should always be building to a climax.
Of course, lots of novellas will change location and jump around in time. However, if your story does the same, you might consider indicating this with scene breaks or white space rather than chapters. This is purely a matter of preference (Animal Farm and The War of the Worlds, for example, make use of chapters) but without the self-proclaimed end of a chapter announcing that it’s time to stop reading, it can be easier to keep the reader propelling towards the climax.
7. Ruthlessly revise and cut your story
You might have noticed a theme emerging: be as concise and compelling as possible. A lower word count is the novella’s defining feature. And this demand for economy pushes writers to focus on their central idea with unusual intensity, driving it forward with functional single-mindedness.
Every time you change location or introduce a new character, ask yourself, How does this scene further my central conflict? or What have I learnt that I didn’t know before? If a passage doesn’t add anything to the story, cut it. Found an overly-wordy sentence? Revise it. Every word in your novella must earn its keep.
Once you’ve trimmed down any unruly subplots and tackled that swollen middle, you should be left with a lean and polished manuscript. Then it’s time to work with a professional editor. An expert will weigh up your plot progression, add precision and clarity, and show you where you can be more economical in your writing.
Getting your novella published
And that's how to write a novella! There’s nothing left to do now but send it out into the big, wide world!
Consider submitting it to literary magazines to see if they’d be interested. If it’s on the longer side they might want to publish a particular section or possibly even serialize it. But if you’re planning to go all out and publish a book, you’ll want to get in touch with a literary agent who can help connect you with publishers.
Of course, self-publishing is always an option, and going through the process with a shorter work of fiction can be a great way to learn the ropes if you plan on publishing a novel. In fact, some of the most famous authors in the western canon kick-started their careers with a novella. And hopefully, with the help of these tips, it won't be long before your name appears right alongside theirs!