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DIRECTORY

Best Poetry Literary Magazines in 2024

Showing 111 magazines that match your search.

Print magazine for Poetry,

We publish two print issues a year of compelling poetry, fiction, and literary nonfiction by established writers and new voices alike. We're global in scope, but with a regional bias. Over the years, we've been privileged to feature work by Wendell Berry, Louise Erdrich, Richard Hugo, Seamus Heaney, James Welch, Patricia Goedicke, James Lee Burke, Chris Offutt, Aimee Bender, Steve Almond, and a number of other writers whose work we're fond of.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: Yes

Online magazine for Poetry,

Sky Island Journal is an independent, international, free-access literary journal. We publish accomplished, well-established authors—side by side—with fresh, emerging voices. Our mission is to provide our over 100,000 readers in 145 countries with a powerful, focused, advertising-free literary experience that transports them: one that challenges them intellectually and moves them emotionally.

Submission guidelines →

🌍 Territory: United States

💰 Submission fee: $5

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

The mission of New Letters magazine, its radio companion, New Letters on the Air, and BkMk Press, is to discover, publish and promote the best and most exciting literary writing, wherever it might be found. We publish and serve readers and writers worldwide. In recent years, New Letters has won a National Magazine Award, the industry's highest honor, plus multiple Pushcart Prizes, and is reprinted often in Best American anthologies.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

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Print magazine for Poetry,

Salamander, Inc., is a 501(c)(3) nonprofit literary organization that publishes a biannual magazine of poetry, fiction, memoir, and works in translation. It was founded by Jennifer Barber in 1992 with the aim of publishing a generation of writers reaching artistic maturity and deserving of a wider audience alongside new work by established writers.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: Yes

Online magazine for Poetry,

Ginosko: A Greek word meaning the recognition of truth from experience.

Submission guidelines →

🌍 Territory: United States

💰 Submission fee: $0

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: Yes

Print & Online magazine for Poetry,

F(r)iction is a triannual publication that boasts work from both industry legends and emerging writers. Each issue is carefully curated to evaluate an important cultural topic from vastly different perspectives. We accept short fiction, creative nonfiction, flash fiction, comics, and poetry submissions all year round, and also host contests featuring guest judges and cash prizes twice a year (each spring and fall). Every piece published in F(r)iction is also accompanied by custom artwork, making our journal a visual odyssey from cover to cover!

Submission guidelines →

🌍 Territory: United States

💰 Submission fee: $3

⏱️ Frequency: 3 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

Bard College's literary journal Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters.

Submission guidelines →

👀 Average visits: 20,000/month

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: No

Print magazine for Poetry,

Callaloo was founded in 1976 by its current editor, Charles Henry Rowell, when he was teaching at Southern University (Baton Rouge). He originally described the fledgling periodical as a "Black South Journal," whose function was to serve as a publication outlet for marginalized writers in the racially segregated US American South.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

Each issue of Ecotone brings together the literary and scientific, the personal and biological, the urban and rural. Much of the writing we publish addresses the idea of place: overlapping habitats both real and aesthetic.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $3

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

The Gettysburg Review, published by Gettysburg College, is recognized as one of the country's premier literary journals. More than one-hundred short stories, poems, and essays first published in The Gettysburg Review have been reprinted in the various prize anthologies. Online submissions are $3 and snail mail submissions are free!

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $3

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Online magazine for Poetry,

Impostor: A Poetry Journal was created for writers who may feel intimidated by the established literary world or who feel as if their credentials—or lack thereof—don't fall in line with what's expected. Impostor desires diverse voices to fill its pages regardless of history; age, academic background, or the length of curriculum vitae.

Submission guidelines →

🌍 Territory: United States

💰 Submission fee: $0

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Print & Online magazine for Poetry,

On Spec adheres to a strong mandate that has served us well over the years. We discover and showcase quality works by predominantly Canadian writers and artists, in the genre we call “Fantastic” literature. We foster the growth of emerging writers in this genre, by offering support and direction through constructive criticism, education, mentoring, and manuscript development.

Submission guidelines →

🌍 Territory: CA

💰 Submission fee: $0

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. BOMB's founders decided to publish dialogues that reflected the way practitioners spoke about their work among themselves. Annually, BOMB serves 1.5 million online readers through its free and searchable archive and BOMB Daily, a virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $3

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Print & Online magazine for Poetry,

A Public Space seeks work that is brave and unexpected. We are interested in writing that uncovers the extraordinary in the everyday, provides a rare glimpse, exposes an unexpected truth, or puts forth a daring hypothesis.

Submission guidelines →

👀 Average visits: 37,600/month

🌍 Territory: USA

💰 Submission fee: $0

⏱️ Frequency: 3 times a year

🧑‍💻 Online submissions: Yes

Print magazine for Poetry,

Ninth Letter is a collaborative arts and literary project produced by the Creative Writing Program and School of Art & Design at the University of Illinois, Urbana-Champaign. Edited and designed by faculty and students as part of the core curricula of both programs, the journal's mission is to present original literary writing of exceptional quality, illuminated by cutting-edge graphic design.

Submission guidelines →

🌍 Territory: USA

💰 Submission fee: $3

⏱️ Frequency: 2 times a year

🧑‍💻 Online submissions: Yes

Run a literary magazine? Submit it to our directory!

The halls of literary success are paved with authors who got their start appearing in literary magazines — such as Zora Neale Hurston, Truman Capote, William Faulkner, Edith Wharton, Ursula Le Guin, J.D. Salinger, George Saunders, Alice Munro, Flannery O’Connor, and many more. 

For centuries, literary magazines have highlighted works that would otherwise struggle to reach readers. Poetry, short stories, essays are all forms of writing that own very tiny shares in the publishing landscape — except in the world of literary magazines, where they reign supreme.

If you’re an aspiring author, submitting to literary magazines is a great way to get your foot into the door of the publishing industry, as it allows you to build up your credentials and reach readers. That being said, having your work appear in a literary magazine isn’t as easy as hitting “submit.” While they can act as a stepping stone for writers who wish to go on to have a career in publishing, you shouldn’t view literary magazines as simply a means to an end — if only because doing so will very likely reduce your chances of ever actually being featured in one of them.

And on that note, let’s get started with our first tip for getting your work featured in some of the best literary magazines out there.

Tips for submitting to literary magazines 

Ensure you’re submitting to the right places

When you think of literary magazines, your mind might automatically go to The New Yorker. Or it might go to independent webzines that specialize in very niche genres. Maybe you think of university-funded quarterlies like The New England Review. All this is to say that the range of lit mags out there is broad and the kinds of things they publish also ranges — from short lit fic to flash space operas, and everything in between. 

So before you decide to submit your short stories or poetry to a magazine, make sure you do your due diligence and research what kinds of things they publish, and where your work is really a match.

Don’t submit to tons of publications all at one

“Cast a wide net” shouldn’t be your mantra when it comes to submitting to lit mags. As mentioned, all magazines have their own styles. So spending your time ensuring your submissions are targeted at the right places is much more valuable than sending your writing to as many different publications as possible. Editors can usually scout fairly quickly the pieces that have been submitted en masse, without any regard for their specific publication.

Instead, make a list of the magazines you want to submit to and group them into tiers. Tier One can be your top five magazines, Tier Two your next five favorite, and so on. This is not only a good way to make sure you’re giving each submission care and attention, it’s also a good way to make sure you don’t get the same piece of writing accepted by two different magazines, forcing you to pull your submission from one of them.

When it comes to making your list, don’t only consider what magazines have prestige, huge audiences, or hefty cash payouts. The best magazines to submit to are the ones that you actually enjoy reading. Because chances are those are the magazines that are going to be most interested in the kind of things you’re writing.

Keep your cover letter short and to-the-point

Editors are not won over by cover letters. If you’ve written a great story and have publishing credentials to boot, sure, your cover letter might help win them over. But if your submission isn’t strong, your cover letter is going to mean nil. So let your cover letter mention the important bits, make sure it provides any specific information that’s requested in the submission guidelines, and let your entry do the heavy lifting. 

Typically, a cover letter will mention a couple of the previous places you’ve been published as well as any other relevant experience you might have. You can also add a personal touch by mentioning a previous story or issue you particularly enjoyed.

What your letter shouldn’t mention is every place you’ve been published (up to 5 will suffice). It shouldn’t summarize your entry, your life story, or your “writing journey,” and any previous experience you mention should be related in some way to writing, publishing, or your entry.

Thoroughly edit your story — and follow submission guidelines!

An editor is probably not going to banish an otherwise very strong entry to the slush pile because of a misplaced typo. That being said, they have lots of reading to do, and while most editors won’t consciously read an entry looking for reasons not to like it, at the end of the day they can only accept so many pieces. So if you make their jobs easier by giving them a reason to pass on your piece, they’re going to take it. If it’s not adequately proofread, there’s only so long someone can continue reading even the strongest writing before the spelling errors convince them to stop.

Another quick way to convince an editor to pass on your entry is to not follow the submission guidelines. If the guidelines ask you to include specific information or to format your story in a certain way, follow those instructions to a tee. If the guide doesn’t tell you how to format your story, go classic: Arial or Times New Roman 12-point font, double-spaced. To ensure your submissions look professional, you can always copy and paste them into our free formatting tool, the Reedsy Book Editor!

Editors do want to like your submission

The publishing world is competitive, so it’s natural for authors to stress about all the little details of submitting to a literary magazine — whether to add page numbers to their document, who to address in their cover letter, whether they’ll stand a chance as a brand new author, etc. And while we did just mention that editors generally won’t put up a fight if you give them a reason to pass on your entry, they also won’t toss aside a submission they love just because the full package isn’t 100% perfect.

Remember, editors are looking for quality art they feel is going to resonate with their readers. If you can provide them with that, they’re going to be on your side.

Don’t just do it for the money or prestige

If you’re submitting to lit mags with the hopes of raking in the cash, you are more than likely going to be disappointed. Sure, there are some big-time magazines out there that offer larger paycheques to their writers and widespread readership, but many of them don’t accept unsolicited submissions — or come with extremely steep competition.

Most literary magazines are run on very tiny budgets that can’t afford to pay the writers they feature. But that doesn’t mean you shouldn’t submit to them. The exposure and credibility an emerging writer can gain from having their work featured across a number of smaller, indie publications are still very valuable and shouldn’t be overlooked.

Have fun — and be proud of what you publish!

Yes, having your work appear in literary magazines can help build up your publishing resume. But if you’re not writing and publishing work you feel really proud of, what’s the point? Readers don’t need more stories that make it into magazines because they follow the right trends or say the right things, we want literature that the author clearly loved writing. 

So, as we mentioned earlier, don’t just submit a piece because you think it’s going to get you somewhere. Submit something because you think it’s strong, unique, and worthwhile. Write and submit work you can proudly stand by! 

RBE | Illustrated Short Stories | 2024-06

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