I spend a lot of time pulling at threads most people would rather leave alone. Whether it’s writing fiction, watching films, or reading, I’m drawn to the kinds of stories that sit with you long after they’re over — the ones that unsettle more than they resolve. I like ambiguity when it feels earned, symbolism that doesn’t scream for attention, and characters who are complicated enough to make you uncomfortable. In my own writing, I’m circling around guilt, power, transformation — and the kind of dread that creeps in rather than announcing itself. I’m not interested in stock villains or easy catharsis; I’m after something a little more tangled than that. My stories tend to live in darker spaces — but with enough humanity to still matter. When it comes to film, I lean toward psychological complexity and strong atmosphere. Nolan, Lynch, Tarkovsky, Villeneuve — directors who aren’t afraid to take their time and leave space for discomfort. Same goes for music. I’m pulled toward melancholic, layered, charged stuff- Radiohead, American Football, Cigarettes After Sex, Chopin, The Weeknd. Anything that feels a little haunted. I don’t buy into neat answers. I’m not religious. I don’t think the world was designed with us in mind. But I think meaning exists in how we respond to that — what we choose to make of it. That’s what I’m writing toward, whether I realize it or not.