Best Independent Publishers in 2024

Publisher of: Nonfiction

This edgy, Manchester-based press has furnished a voice for the counterculture since 1991. Originally founded to sell VHS copies of a controversial cult director’s latest release, Headpress hasn’t strayed far from its roots in pulp, grindhouse, and all things indie film. Beyond its sharp criticism of movie genres that don't get a lot mainstream attention, Headpress publishes widely across the spectrum of quirky nonfiction. Look through its list of titles, and you'll see everything from deep cuts on underground music to trippy meditations on European folklore.

Publisher of: Fiction

Europa Editions' parent company, Edizione E/O, grew out of a failed venture by Italian couple Sandro Ferri and Sandra Ozzala : a bookstore where thinkers with opposing views could meet for peaceful dialogue. When the political discord proved too daunting for polite reading-room tête-à-têtes, the Ferris, now married, pivoted to publishing. Their American publishing house, Europa Editions, is one of the US’s top publishers of fiction in translation, and they’ve produced more than a few NYT bestsellers, including Elena Ferrante's celebrated Neapolitan Novels. (And yes, they've met the mysterious, pseudonymous author face to face.)

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

This independent publisher emerged in the 1970s, out of second wave feminism’s heyday. Its first print runs were dedicated to foundational women’s studies texts, biographies, and rediscovered feminist literary classics like "The Yellow Wallpaper." These days, FP’s growing list speaks to a much more modern brand of feminism, sensitive to issues of race, sexuality, and gender identity. Since 2017, the press has been headed by Jamia Wilson, its youngest-ever director — and the first woman of color to serve at the organization’s helm. Under her leadership, the press puts out exciting, impeccably crafted books by diverse writers.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Married couple George and Marsha Braziller started publishing high quality, visually arresting art books in 1955 — an outgrowth of their passion for modern painting and the book clubs they hosted throughout the ‘40s. George, who won the trust of Nobel Prize Laureates like Claude Simone and Orhan Pamuk, passed away in 2017, aged 101. But the legendary press that bears his name remains in the hands of his two sons. These days, George Braziller has branched out beyond its art historical roots to publish widely in fiction and poetry.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Tin House’s legendary literary magazine may have shuttered its doors 2019, but their book publishing program is still going strong. Originally launched as an Bloomsbury imprint, Tin House Books spun off into an indie publisher in 2005. They release around 12 books a year often from first-time authors. Tin House Books publishes fiction, nonfiction, and poetry, and they have a penchant for lush, character-driven contemporary novels, playful essay collections, and memoirs that delve into complex relationships with uncompromising insight.

Publisher of: Fiction, Nonfiction, and Short Fiction

WTAW Press is an independent, 501(c)(3) nonprofit publisher devoted to discovering and publishing enduring literary works.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

The publishing wing of San Francisco’s legendary City Lights Bookstore, this small press started off with a bang — or rather, an obscenity trial. Their decision to publish Allen Ginsberg’s (in)famous Beat Generation classsic mired them in legal turmoil back in 1957. These days, City Lights is still publishing groundbreaking poetry, alongside other titles in fiction and nonfiction. While the staff is no longer getting arrested, they’ve maintained their commitment to politically challenging, artistically incisive work.

Publisher of: Fiction and Nonfiction

EnvelopeBooks is a new independent publishing house founded in the summer of 2020. An offshoot of Booklaunch, a quarterly books and publishing freesheet that makes its way to 50,000 homes per issue, the EnvelopeBooks imprint is dedicated to working with authors to produce high-quality books.

Publisher of: Nonfiction, Fiction, and Short Fiction

This micro-press releases no more than four books a year. But their tightly curated list has earned them a reputation for producing fiction and nonfiction that’s as accessible as it is groundbreaking. Future Tense Books’ catalogue might be boundary-pushing, but this publisher’s aesthetic is more DIY than avant-garde. They're equally at home with wry short story collections and raw, unprententious memoirs that delve into darkness head-on.

Publisher of: Poetry and Short Fiction

Founded in 1976, BOA Editions focuses on poetry. Though they publish fewer than 20 books a year, their editors are discerning enough to sniff out plenty of prizewinners. BOA’s roster includes decorated — and phenomenally popular — poets like National Book Award finalist Lucille Clifton and Naomi Shihab Nye, the first Arab American to be named the Young People’s Poet Laureate. But BOA also looks beyond verse, running several contests for short fiction writers, as well as poets seeking publication.

Publisher of: Fiction and Nonfiction

This New York-based press kicked off with a series of Dive Bar guides that showed much-traveled tourist hubs, from San Francisco to Chicago, in an offbeat new light. These days, their list tilts much more towards literary fiction as well as political nonfiction: since the Bush years, Ig authors have been tackling issues from workers’ rights to PTSD care for veterans.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

This indie publisher got its start because Ezra Pound didn’t believe in a certain Harvard undergrad’s future in poetry. James Laughlin, then a college sophomore, went to the legendary modernist for advice. And Pound, who had been critiquing his work all semester, urged him to give up writing and “do something useful” instead. Thus New Directions Publishing was born. Laughlin retained a love for verse, so the budding press’s first books were poetry anthologies and collections by the greats — including Pound. These days, New Directions boasts a rich collection of fiction and criticism as well, especially works in translation.

Publisher of: Nonfiction

The playful, punk-adjacent Microcosm Publishing considers itself the “most colorful, authentic, and empowering publishing house” in Portland's vibrant indie publishing scene. It’s a bold claim, but one borne out by the press’s DIY mindset, its centering of marginalized creators, and its exclusive use of recycled printing paper. Microcosm emerged as a zine distributor run out of founder Joe Biel’s bedroom, and it’s hung onto that sense of grit even after decades of expansion. Their strongest titles tend to be no-nonsense handbooks full of actionable instructions.

Publisher of: Fiction, Nonfiction, and Poetry

This storied Canadian publisher has been running out of Toronto since 1967. In that time, it’s grown from a one-man operation to a North American indie powerhouse, publishing prominent authors like Margaret Atwood and Michael Ondaatje. As it makes headway into its sixth decade of operation, House of Anansi remains as committed as ever to promoting Canadian literature, including French-Canadian books in translation, and work by First Nations authors.

Publisher of: Fiction, Nonfiction, and Short Fiction

Founded in 2014, this LA-based publisher is relatively young. But it’s already assembled a formidable stable of talent: rising star Esmé Weijun Wang shares shelf space with Booker, Pulitzer, and Philip K Dick Prize winners. Many of their titles are multicultural family dramas, full of complex relationships and pitch-perfect characterization. However, their catalogue ranges beyond literary fiction to embrace highbrow speculative fiction, collections of journalism, and even self-help books.