33 Best Writer's Block Writing Exercises

Describe your house - or the dream house you hope to get some day.

Pick one of the following flowers: Camellia, Azalea, Persimmon, Marigold, Holly, Elder, Ulmus, Verbena, Zinnia, Jonquil.Now locate it in the list below to find out the symbolism behind your flower. Write a short story based around that meaning as a theme. Specifically mention your flower in passing in the story at least once.

• Azalea: Fragile passion
• Camellia: My destiny is in your hands
• Persimmon: Bury me amid nature's beauty
• Marigold: Grief
• Holly: Foresight
• Elder: Compassion
• Ulmus: Royalty, age
• Verbena: Pray for me
• Zinnia: I mourn your absence
• Jonquil: Desire

Open a dictionary, close your eyes, pick a random word, and write about it. Go on, see how much you can write about one word in thirty seconds. It doesn't matter if you think it's great or silly or you think it's a beautiful word that everyone should use in every conversation. Write it!

Sometimes in order to get over writer's block, you simply need to put word down after word. Keeping this in mind, set the timer to 15 minutes. Start writing whatever comes to your mind until time's up. Then do it again - but, this time, write stream-of-consciousness from the perspective of your protagonist.

When writing emotion, it's easy to become stuck on how to express what the point-of-view character is experiencing. An exercise to try is to pull from your own memory if you feel comfortable doing so. Sit back in your chair, take a few calming breaths, and think back to a time where you experienced this same emotion. Carefully draw up the memory, thinking about the situation, the location, the people involved. Remember the sights, sounds, smells, textures, tastes.Now, pay attention to your body. Are you relaxed, or tense? Are your muscles tight? Is it easy to breathe, or do you feel restricted? Is your posture curling up, an attempt to hide, or are you twitchy all over and want to leap out of the chair? Make as many notes as you can, and when you go to write, use what you collected to give life to the character's experience.

Cheesy pick-up lines are the worst...but sometimes (when they work), they're the best conversation starters out there. Pick one of the pick-up lines from below and write down a conversation that you can imagine following afterward.

• "Your smile is like Expelliarmus. Simple but disarming."
• "Did it hurt? When you fell from heaven?"
• "Are you a parking ticket? You've got fine written all over you."
• "Are you from Tennessee? Because you're the only ten I see."
• "If I could rearrange the alphabet, I'd put U and I together."

Your protagonist opens a purse or a desk drawer and finds three objects. By the end of your piece there's only one item left. What happens to the other two?

This exercise is particularly helpful for those who write for children and youth. Study an old photo of yourself or your family from your childhood. It's probably easy to remember the who, the where, the what. But for this exercise we want to go deeper.Close your eyes and remember the details of the event. Then remember how you felt at the event in that photo. How did you feel when anticipating the event? How did you feel if it was a surprise? How did you feel if it didn't turn out as you anticipate? How did others at the event treat you? How did you react/respond to them?Now, translate those FEELINGS into an event, place, child that would take place today.

Pick a fiction book from your shelf. Go to page eight and find the eighth sentence on the page. Start with that sentence and write an eight-line poem that connects in some way to your work-in-progress. For instance, write from the POV of a character, or set the poem in a story setting. Don't worry about poetry forms. Just write eight lines of any length that flow and explore some aspect of character, setting, or theme.

Think of writer's block as a symptom, not a condition that can't be remedied. When we're stuck and can't get to our creative work, there's usually a reason - and therefore a way to move forward.If you're experiencing a block and can't seem to work on your novel, try the following:

1. Close your eyes, take a few deep breaths. Connect.
2. How do you feel?
3. Nervous because you're coming up on a tough scene?
4. Starting to wonder why you embarked on this project?
5. Bored with sticking to your thorough outline and not wanting to admit it?

Feel what you're feeling without attaching or rationalizing or arguing. Now, refocus on your breath. Imagine gentle snow or waves. When you're calm inside, grab a notebook and pen (computers can amplify pressure instead of opening room for free scribbling) and write without stopping for three minutes, starting with the prompt, "I'm not blocked becauseÄ" After that, go for another three minutes, using, "The path back to my writing looks likeÄ" Let yourself go. Let your hand tell you whatever you need to hear.