Best Nonfiction Independent Publishers in 2024

Publisher of: Nonfiction

This Minneapolis-based press takes inspiration from its botanical namesake. Just as milkweed feeds the transformation of caterpillars into monarch butterflies, Milkweed Editions supports emerging and experimental writers, giving them a home for their work to flourish. Its catalogue is an exercise in artistic risk-taking: full of intricately textured novels, cerebral and raw memoirs, and some of the finest verse by young poets.

Publisher of: Nonfiction

LA-based Rare Bird Books has a strong affinity for edgy, whip-smart titles on sex, drugs, and rock ’n’ roll: think candid sex worker memoirs and deep dives into the London music scene of the ‘70s. Besides nonfiction, Rare Bird widely publishes a number of genres over its various imprints. California Coldblood, for instance, presides over the press’s speculative fiction titles, while Barnacle Books takes care of crime fiction. As a whole, their titles are both progressive and compulsively readable, no matter if it’s PG-friendly or NSFW.

Publisher of: Nonfiction

Founded in 2014, this LA-based publisher is relatively young. But it’s already assembled a formidable stable of talent: rising star Esmé Weijun Wang shares shelf space with Booker, Pulitzer, and Philip K Dick Prize winners. Many of their titles are multicultural family dramas, full of complex relationships and pitch-perfect characterization. However, their catalogue ranges beyond literary fiction to embrace highbrow speculative fiction, collections of journalism, and even self-help books.

Publisher of: Nonfiction

Founded in 1974, Graywolf Press is a jewel among independent publishers. The 35 or so titles it releases every year are regularly showered with laurels, from rave NYT reviews to “best of the year” nods. It’s no exaggeration to call Graywolf one of the top publishing houses of any size, despite its relatively modest, $4 million annual budget. No wonder established writers, who have the name recognition to court the Big 5, often opt to stick with this storied small press instead.

Publisher of: Nonfiction

Tin House’s legendary literary magazine may have shuttered its doors 2019, but their book publishing program is still going strong. Originally launched as an Bloomsbury imprint, Tin House Books spun off into an indie publisher in 2005. They release around 12 books a year often from first-time authors. Tin House Books publishes fiction, nonfiction, and poetry, and they have a penchant for lush, character-driven contemporary novels, playful essay collections, and memoirs that delve into complex relationships with uncompromising insight.

Publisher of: Nonfiction

Forest Avenue Press focuses on literary fiction, occasionally dipping their toes into memoir as well. Regardless of genre, they aim to publish work animated by joy: not necessarily stories with happy endings, but work that shows off the author’s capacity for humor and freewheeling imagination. As a result, their catalogue abounds with oddball books, each with a broad palette of literary influences. An author-focused press with a relatively small stable of talent, Forest Avenue lavishes more time and money on marketing each title than your typical indie publisher.

Publisher of: Nonfiction

This New York-based press kicked off with a series of Dive Bar guides that showed much-traveled tourist hubs, from San Francisco to Chicago, in an offbeat new light. These days, their list tilts much more towards literary fiction as well as political nonfiction: since the Bush years, Ig authors have been tackling issues from workers’ rights to PTSD care for veterans.

Publisher of: Nonfiction

Independent presses tend to focus on fiction and poetry, but Feral House breaks the mold. Look through their list of publishing topics, and you’ll see post-apocalyptic survival guides under Self-Reliance and gutsy exposés of government corruption under Realpolitik. Needless to say, this isn’t the kind of small press that publishes highbrow short story collections or thoughtful, MFA-inflected novels. Their countercultural sensibility lends itself instead to bold nonfiction (or, occasionally, historical fiction) by unabashed firebrands.

Publisher of: Nonfiction

This Massachusetts-based press prides itself on the high production value of its titles, which range from novels and creative nonfiction to poetry. They treat their books as art objects — “a joy,” in the press’s own words, “to hold as well as read.” Crack open those impeccably printed pages, and you’ll find artful language, unsurpassed lyricism, and playful experimentation with form, no matter what the genre. The bulk of Tupelo Press's catalogue consists of poetry collections, although they also publish literary fiction and creative nonfiction.

Publisher of: Nonfiction

The playful, punk-adjacent Microcosm Publishing considers itself the “most colorful, authentic, and empowering publishing house” in Portland's vibrant indie publishing scene. It’s a bold claim, but one borne out by the press’s DIY mindset, its centering of marginalized creators, and its exclusive use of recycled printing paper. Microcosm emerged as a zine distributor run out of founder Joe Biel’s bedroom, and it’s hung onto that sense of grit even after decades of expansion. Their strongest titles tend to be no-nonsense handbooks full of actionable instructions.

Publisher of: Nonfiction

This edgy, Manchester-based press has furnished a voice for the counterculture since 1991. Originally founded to sell VHS copies of a controversial cult director’s latest release, Headpress hasn’t strayed far from its roots in pulp, grindhouse, and all things indie film. Beyond its sharp criticism of movie genres that don't get a lot mainstream attention, Headpress publishes widely across the spectrum of quirky nonfiction. Look through its list of titles, and you'll see everything from deep cuts on underground music to trippy meditations on European folklore.

Publisher of: Nonfiction

Founded in 2002, Noemi Press operates out of Blacksburg, Virginia, where it publishes both new and established writers — especially women, queer people, and people of color. Their titles are often described as part something, part something else, and you can fill in the blanks to build all kinds of fascinating, extremely high-brow combos: say “autofiction” and “sequential critical engagement”, or “family gothic” and “queer historiography”. Even books that don’t have this genre mashup quality feel pieced together, in the best way, mixing forms and textures to produce writing that feels wholly new.

Publisher of: Nonfiction

This San Francisco-based small press has been publishing thoughtful speculative fiction since 1995, sweeping up a full slate of high-profile nominations on the way, from the Hugo to the Nebula and beyond. Their sustained excellence has earned them legendary status in the eyes of hardcore sci-fi fans, although they occasionally dip into other, less speculative genres like memoir and mystery. Tachyon Publications’ bread and butter are its famous science fiction short story collections, which routinely earn glowing reviews from the likes of Booklist and Library Journal.

Publisher of: Nonfiction

This small, but mighty, indie press prides itself on publishing “strange and beautiful” work, both fiction and nonfiction. The resulting catalogue tends to send readers on a rollercoaster ride, jumping from chortling absurdity to heartbreaking tragedy, from ice-cold beer to Armageddon. And that’s within a single book! Common themes that cut across titles include music, magical realist hijinks, and darkly funny takes on the end of the world. No matter what the genre, Featherproof titles make their readers laugh — and think.

Publisher of: Nonfiction

This storied Canadian publisher has been running out of Toronto since 1967. In that time, it’s grown from a one-man operation to a North American indie powerhouse, publishing prominent authors like Margaret Atwood and Michael Ondaatje. As it makes headway into its sixth decade of operation, House of Anansi remains as committed as ever to promoting Canadian literature, including French-Canadian books in translation, and work by First Nations authors.