Best Fiction Independent Publishers in 2025

Publisher of: Fiction

This Manhattan-based press releases 90 books a year, making it relatively big for an indie publisher. It’s especially well-known among mystery connoisseurs for its Soho Crime imprint, which specializes in top-notch thrillers with a strong sense of place, a bit like traditional detective fiction crossed with travelogue. Whether it takes place in Denmark or Thailand, a Soho Crime title will set the scene so vividly you’ll feel you’re walking alongside the detective down those minutely rendered streets. Soho also publishes YA through Soho Teen and literary fiction through Soho Press proper.

Publisher of: Fiction

This Brooklyn-based outfit specializes in children’s books, as gorgeously illustrated as they’re richly imagined. But their catalogue goes far beyond the big red dogs and very hungry caterpillars you probably remember from your own childhood. That’s not to say that you won’t find any woodland critters cavorting in Enchanted Lion’s titles. But this indie publisher puts a premium on the “power of cultural exchange.” Enchanted Lion excels at putting out picture books set all over the world, many of them translated from languages like French and Japanese.

Publisher of: Fiction

One of the top indie publishers when it comes to literary accolades, Bellevue Literary Press has a Pulitzer under its belt, not to mention an International Latino Book Award and finalist nods from the National Book Award and the Kirkus Prize. Though it began as a project of the NYU School of Medicine, Bellevue Literary Press is now a fully indie nonprofit. Still, its med school roots remain clear in its mission: publishing thoughtful books that sit at the intersection of the arts and the sciences.

Publisher of: Fiction

Married couple George and Marsha Braziller started publishing high quality, visually arresting art books in 1955 — an outgrowth of their passion for modern painting and the book clubs they hosted throughout the ‘40s. George, who won the trust of Nobel Prize Laureates like Claude Simone and Orhan Pamuk, passed away in 2017, aged 101. But the legendary press that bears his name remains in the hands of his two sons. These days, George Braziller has branched out beyond its art historical roots to publish widely in fiction and poetry.

Publisher of: Fiction

Independent presses tend to focus on fiction and poetry, but Feral House breaks the mold. Look through their list of publishing topics, and you’ll see post-apocalyptic survival guides under Self-Reliance and gutsy exposés of government corruption under Realpolitik. Needless to say, this isn’t the kind of small press that publishes highbrow short story collections or thoughtful, MFA-inflected novels. Their countercultural sensibility lends itself instead to bold nonfiction (or, occasionally, historical fiction) by unabashed firebrands.

Publisher of: Fiction

This Portland-based indie press is highly literary without being pretentious. Their wheelhouse is fairly broad, focusing on fiction and narrative nonfiction that puts vivid storytelling on display. In practice, that often means character-driven contemporary novels and emotionally rich memoirs that pull you into all the complexities of real-life relationships. You don’t have to write within spitting distance of Forest Park to be published by Hawthorne: they work with authors from all over the country. But, true to their geographic roots, Hawthorne Books has quite a few Oregon-centered titles on their list.

Publisher of: Fiction

Quirk Books is best known for publishing Seth Grahame-Smith’s brilliant decision to mash up Regency romance and B-movie horror, a title that ultimately became an NYT bestseller — not to mention a Lily James-led film. True to its name, this Philly-based indie press injects a whole lot of whimsy into the literary world. Quirk’s publishing program is unabashedly reader-centric, aiming to produce “objects of delight and desire”. Its titles — from humorous essays on celebrity to LGBT-affirming picture books — are clever, irreverent, and eminently giftable.

Publisher of: Fiction

This San Francisco-based small press has been publishing thoughtful speculative fiction since 1995, sweeping up a full slate of high-profile nominations on the way, from the Hugo to the Nebula and beyond. Their sustained excellence has earned them legendary status in the eyes of hardcore sci-fi fans, although they occasionally dip into other, less speculative genres like memoir and mystery. Tachyon Publications’ bread and butter are its famous science fiction short story collections, which routinely earn glowing reviews from the likes of Booklist and Library Journal.

Publisher of: Fiction

This micro-press releases no more than four books a year. But their tightly curated list has earned them a reputation for producing fiction and nonfiction that’s as accessible as it is groundbreaking. Future Tense Books’ catalogue might be boundary-pushing, but this publisher’s aesthetic is more DIY than avant-garde. They're equally at home with wry short story collections and raw, unprententious memoirs that delve into darkness head-on.

Publisher of: Fiction

This Massachusetts-based press prides itself on the high production value of its titles, which range from novels and creative nonfiction to poetry. They treat their books as art objects — “a joy,” in the press’s own words, “to hold as well as read.” Crack open those impeccably printed pages, and you’ll find artful language, unsurpassed lyricism, and playful experimentation with form, no matter what the genre. The bulk of Tupelo Press's catalogue consists of poetry collections, although they also publish literary fiction and creative nonfiction.

Publisher of: Fiction

Founded in 2002, Noemi Press operates out of Blacksburg, Virginia, where it publishes both new and established writers — especially women, queer people, and people of color. Their titles are often described as part something, part something else, and you can fill in the blanks to build all kinds of fascinating, extremely high-brow combos: say “autofiction” and “sequential critical engagement”, or “family gothic” and “queer historiography”. Even books that don’t have this genre mashup quality feel pieced together, in the best way, mixing forms and textures to produce writing that feels wholly new.

Publisher of: Fiction

Founded in 2014, this LA-based publisher is relatively young. But it’s already assembled a formidable stable of talent: rising star Esmé Weijun Wang shares shelf space with Booker, Pulitzer, and Philip K Dick Prize winners. Many of their titles are multicultural family dramas, full of complex relationships and pitch-perfect characterization. However, their catalogue ranges beyond literary fiction to embrace highbrow speculative fiction, collections of journalism, and even self-help books.

Publisher of: Fiction

This independent publisher emerged in the 1970s, out of second wave feminism’s heyday. Its first print runs were dedicated to foundational women’s studies texts, biographies, and rediscovered feminist literary classics like "The Yellow Wallpaper." These days, FP’s growing list speaks to a much more modern brand of feminism, sensitive to issues of race, sexuality, and gender identity. Since 2017, the press has been headed by Jamia Wilson, its youngest-ever director — and the first woman of color to serve at the organization’s helm. Under her leadership, the press puts out exciting, impeccably crafted books by diverse writers.

Publisher of: Fiction

Catapult Books may have been founded in 2015, but they’ve made a huge impact on the literary scene in just a few years. In fact, they’ve made such a big splash that they managed to acquire an older indie publisher, Counterpoint Press, back in 2016. Post-merger, Catapult’s small, impeccably curated catalog — mostly memoir and literary fiction — continues to exemplify quality over quantity.

Publisher of: Fiction

Founded in 1974, Graywolf Press is a jewel among independent publishers. The 35 or so titles it releases every year are regularly showered with laurels, from rave NYT reviews to “best of the year” nods. It’s no exaggeration to call Graywolf one of the top publishing houses of any size, despite its relatively modest, $4 million annual budget. No wonder established writers, who have the name recognition to court the Big 5, often opt to stick with this storied small press instead.