Book Cover Art Gallery

It Wasn't Meant to Last

AR Hook

Designed by Vanessa M.

Available to hire ⏺

"I wanted the cover to reflect the emotional depth and raw honesty of the poems. The minimalist design, with its contrasting colours and simple lines, creates a sense of quiet intensity. It’s like a visual metaphor for the rollercoaster of emotions that readers will experience as they delve into the collection."

Be FINE

Lisa Leslie-Williams

Designed by Vanessa M.

Available to hire ⏺

"I wanted the cover to capture the book’s vibrant and uplifting message. The cheerful colours reflect the Caribbean-inspired approach to health and wellness. Featuring the author, Dr Lisa Leslie-Williams, the design creates a sense of warmth and optimism, inviting readers to embark on a transformative journey towards a healthier, happier life."

The Art of Taking Second Chances

Varsha Chitnis

Designed by Zuchal R.

Available to hire ⏺

"The cover focuses on the main characters, Tara and Sameer, and their challenging journey, set against the backdrops of Baroda and Dallas. Initially inspired by a specific scene, the concept evolved through collaboration with Varsha to emphasize the settings. The faceless depiction of the characters invites readers to imagine them, while cloud graphics and a hand-drawn title add symbolic and artistic touches. The pink and purple palette enhances visual appeal and reinforces the book's theme."

Cult Crystal

Remi Bradley

Designed by Stephanie H.

Available to hire ⏺

"My main goal in designing the cover for this dark, mysterious, and sometimes humorous novel about female friendship in a cult called the Crystal Collective was to translate the title's essence into an illustration: two women worshipping a cracked crystal, hinting that not all is well in the cult. I balanced this with icons relevant to the plot to spark interest, ensuring the illustration and title remain clear and readable even at thumbnail size."

A Good Thing

Enid Jeff

Designed by Margarita C.

Available to hire ⏺

"In the plot, the moment when the characters meet is important—it's the trigger for the story, and it happens while they are waiting for the tram. I believe the key is to introduce the tram almost as a third character. Overlaying the title on its side adds dynamism and metaphorically reinforces the idea of how fleeting that moment of meeting is. Either you act, or it never happens, and the opportunity vanishes just as the tram does."

A Midwestern Gospel

Agara Farnsworth

Designed by Nuno M.

Available to hire ⏺

"This cover design effectively reflects the tone and setting of a thriller novel based in the South. The muted colors, decaying leaf imagery, and Gothic typography come together to hint at a story full of tension, secrets, and moral conflicts, drawing in readers who are fans of suspenseful, atmospheric tales."

Shear Gifts

Christy Foldenauer

Designed by Steve K.

Available to hire ⏺

He Saw Her

Christy Moore Korthase

Designed by Steve K.

Available to hire ⏺

Of Friction

S.J. Lee

Designed by Jason A.

Available to hire ⏺

"The priority was to create a consistent series look across all three books, focusing on the protagonist's arm transformation as the story progresses. S.J. prefers minimalist compositions and wanted to pay homage to the Southern Reach series, which was a big influence. We used a gridded title treatment and a textured background interacting with the protagonist's hand, tied to the book's events. These core elements will be carried through the entire series."

Burned Out and Bled Dry

Meredith Jacobowitz

Designed by Margarita C.

Available to hire ⏺

"My goal was to instantly convey the novel's genre—cozy mystery with a touch of humor. Inspired by Saul Bass, I created a shadow suggesting a murder scene, with the hurried protagonist walking over it, unaware of what's awaiting her at the car. The exaggerated, almost caricature-like shadow adds dark humor, softening the tension. The title treatment features an 'o' as an 'eye,' acting as a witness. The metaphor hints that the car holds a secret, with the shadow offering a clue to what's coming."

Lenny From Vinci Strategies for Creatives

Hugh Gallagher

Designed by Jason A.

Available to hire ⏺

"This book is a strategy guide for creative people, bringing LDV's principles into the present. To give it a modern feel, Hugh commissioned cover art from street artist TVBOY. I made subtle adjustments to the artwork for the cover and designed the title to appear screenprinted on LDV's shirt. The back cover text mimics a poster wheat-pasted over TVBOY's graffiti, giving it the feel of something you'd see on the streets of Palermo, TVBOY's hometown."

Tunnel of Mirrors

Ferne Arfin

Designed by Laura D.

Available to hire ⏺

"It was important that this beautiful novel have a beautiful, romantic cover without being trite. The story takes place in the 1900s and is about a young woman coming to New York from Ireland. The ocean is a big part of the story in various ways. The gull flying away from the other birds was inspired by the main character, a very independent, unique young woman. I wanted to add some interest by having the title look like it's sinking into the sea and being reflected like a mirror."

The Day I Had a Dinosaur

Ashley Wall

Designed by Vaughan D.

Available to hire ⏺

"The picture book captures children imagining themselves playing with large construction vehicles, like bulldozers. The cover features the main character enjoying a bulldozer, creating an exciting visual that hints at the fun story inside. With the trend of strong characters on covers, especially for small online thumbnails, I focused on using bold colors and a clean design. Strong illustrations and text design were emphasized to ensure the cover stands out and reflects the story."

As The Fallen Rise

Sadie Hewitt

Designed by Rebecca F.

Available to hire ⏺

Returning to Carthage

Ben Sharafski

Designed by Owen G.

Available to hire ⏺

"For this short story collection, I aimed to evoke a sense of place and atmosphere without focusing on a specific narrative. The fig tree and Lorikeet, featured in multiple stories, serve as a tonal and geographical anchor. While botanical and avian illustrations are popular, I chose a less patterned approach with a mix of delicate and saturated colors. Starting with a subdued palette, I added rich, vibrant hues to bring the cover to life and reflect the warmth of the stories."

Bodhi's Little Big Soul

Jessica Geltz

Designed by Taylor B.

Available to hire ⏺

The Money Pizza

Fleur Iannazzo

Designed by David T.

Available to hire ⏺

The Forest of Damned Souls

The Sinister Mind of Tully

Designed by Rafal K.

Available to hire ⏺

"It's a Scottish thriller featuring a fresh female constable solving mysterious crimes in the vast Scottish woods, blending thriller, fantasy, and a sci-fi twist. Scottish thrillers are often straightforward, with covers focusing on the main character or motifs. I wanted to go beyond that, highlighting the genre's greatest asset—mystery—without sacrificing artistic quality. The cover itself is a riddle, with the solution revealed only by reading the story, adding intrigue and depth."

Samah The Seed

Sarah Gowayed

Designed by Amanda L.

Available to hire ⏺

"In the cover for Samah the Seed, I wanted to create a richness of colour and the feeling of closeness that Samah has with her Baba. It was important to convey the underlying theme of spirituality without being too specific, so the glowing light coming from the top right was added to reference God in a way that all readers could relate to. The book title was hand drawn so that it could appear to be connected to the plant and further reiterate the growth for Samah throughout the book."

My Mom's Got No Qualms

Blake Carey

Designed by Mariana O.

Available to hire ⏺

"For this cover, I aimed to convey joy, playfulness, and the special times we share with our families, especially moms. I chose a bright, cheerful color palette to reflect these emotions. The illustrations, inspired by the animals the author’s children love, capture young readers' emotions with big eyes and smiles. The typography enhances the playful tone with bright, contrasting colors, and textures add to the overall feel. It's a fun, engaging cover for both kids and grown-ups."

It Ate One Hundred

Bill Sugrue

Designed by Barış Ş.

Available to hire ⏺

"The cover illustration plays with the book's title, inviting the audience to initially think the story revolves around a "big cat who ate one hundred." However, the true essence lies deeper: the artwork symbolizes the harsh realities of survival in the wilderness, where unseen dangers lurk in every shadow. The aim was to evoke a sense of displacement, drawing the audience into the experience of being far from home and confronted with the vast unknown."

The Killer Chorus

Jack Conlan

Designed by Latte G.

Available to hire ⏺

Eternal Seas (The Relic Hunters)

Lexi Rees

Designed by Florian G.

Available to hire ⏺

"We aimed to convey adventure, danger, and establish a fantasy world with young heroes. Middle-grade stories often use detailed, figurative illustrations, but I suggested a more graphic style inspired by cut paper. The colors are strikingly powerful and they are rarely used in this book category. The logo stands out beautifully, even as a thumbnail. Despite the amount of information depicted, the image remains very easy to read."

What to Eat During the Apocalypse

Vladimir Stefan

Designed by Christian S.

Available to hire ⏺

"This design highlights the quirky, funny title—dystopian recipes!—while presenting the dark backdrop in an engaging way. We chose a gas-mask-wearing chef to capture the book's strange spirit. Borrowing market trends like simple, solid colors and an illustrative style appealing on social media, we created a timeless look. The distressed sans serif typography is readable and suggests breakdown. We aimed for a design that lets the clever title shine."

A Slayer's Reckoning

Ariel Cross

Designed by Joshua G.

Available to hire ⏺

"This story gave me a clear vision from the very start about what I needed to show: a badass Terra wielding her khopesh in a graveyard. To make it happen I built the prop weapon and sourced the outfit myself for a reference photoshoot I did with local model, Ella. When the final painting is paired with the title the reader knows exactly what to expect. The vibes? Revenge. The Fantasy? Urban. With licks of blood dripping from the 'teeth' of the typography as an allusion to the vampire sub-genre."

To Catch a Falling Star

L. M. Ramirez

Designed by Madli S.

Available to hire ⏺

"The author requested a fully illustrated cover featuring a portrait of the main character. After discussing the storyline, it became clear that stars and the universe play a key role in the story. The final concept shows the main character gazing up at the stars, reflecting on her identity and origins. We aimed for a dreamy, mysterious mood to captivate YA fantasy readers and evoke the sense of wonder central to the narrative."

Vow

Ms Katherine Bentley

Designed by Alejandro C.

Available to hire ⏺

"For this cover, I proposed a clean, explicit focus on the main character, placing her within a characteristic yet mysterious Roman-era setting. The diaphanous, natural light combined with mist enhances the mystical and spiritual atmosphere. Strong or flashy colors were avoided to maintain subtlety. The three-letter title, with the 'O' in the center, provided the perfect opportunity to align the character with the title, creating a harmonious fusion where both elements enhance each other."

Eve Archer

A P Coiteux

Designed by Candice B.

Available to hire ⏺

"The novel is an urban fantasy with outer space elements. The protagonist's clothing conveys the urban vibe, while nebula clouds represent space. I included a dragon and fireball in the background to highlight the fantasy aspect.To break away from typical YA covers, I chose a cropped side view to convey action and suspense, rather than a glamorous front portrait. Graphic elements like concentric circles and stars blend symbolism with realism for a unique and sophisticated design."

The Terrorist

John Stimson

Designed by Hampton L.

Available to hire ⏺

The Big Shot Trader

Mitesh Desai

Designed by Driss C.

Available to hire ⏺

"The Big Shot Trader is all about evolving in a highly competitive, stressful industry. The idea was to use a slightly over-the-top composition to emphasize the 'clog in the machine' feeling of the main character. Balancing an overwhelming corporate blue with vibrant yellow details helped the cover stand out without losing the familiarity of current market trends. Incorporating the title into the decor is often a great way to make a design truly unique."

Question Mark: The Freshman Experience

Shannon Damuth

Designed by Matt D.

Available to hire ⏺

"The book's short stories and Shannon's love for poetic writing called for a simple, artistic typographical approach. I researched market trends from top publishers and authors to align with the market while still standing out. The focus was on originality in concept, icon design, typography, and styling."

Henry Knows Best

Emily Learing

Designed by Denise T.

Available to hire ⏺

"Henry is self-centered and needs to change if he wants friends. To convey this, I designed a cover showing him holding the ball to himself in a team game. Moreover, all elements of the illustration and fonts are centered around Henry, emphasizing that it's 'all about him.' To make the cover stand out, I focused on the color palette, legibility, clear communication, and delivering a strong message."

Uncertain Justice

K. Ryan Kerry

Designed by Nejc P.

Available to hire ⏺

"For Uncertain Justice, I designed a cover that reflects the novel’s blend of political intrigue, espionage, and legal suspense. The bold typography and striking composition give the cover a modern edge while staying true to the visual language of the legal thriller genre. Dramatic lighting and a tense color scheme help convey the book’s high stakes and complex themes, making it instantly recognizable to readers of the genre while still standing out on the shelf."

Emergence

J. L. Daughtrey

Designed by Hampton L.

Available to hire ⏺

Model Village

Leo A. Murphy

Designed by Nejc P.

Available to hire ⏺

"The book is a dystopian novel about a shadowy authoritarian figure terrorizing a small Cotswold village. The cover needed to balance the village's cozy atmosphere with the looming fear of change. Inspired by Olly Moss and vintage Penguin covers of 1984, I used distinct color, shapes, and composition to convey the dystopian themes. A subtle visual easter egg is hidden in the design: the eye color on the cover matches that of the main character, adding a personal touch to the artwork."

Luna's Walk During April Showers

Leslie Salazar

Designed by Aline B.

Available to hire ⏺

The cover portrays Luna joyfully exploring nature on a rainy day, capturing the book’s theme of finding beauty in rain-soaked surroundings. My signature whimsy and cuteness are evident in the detailed, nature-focused backgrounds, appealing to both young readers and their parents. The umbrella with the book's title adds a charming touch, symbolizing protection and enjoyment during a rainy day’s adventure while making the title stand out in a cute way.

MOFETTE JONES vs. CYRUS BECK

Jim Burgin

Designed by Joe M.

Available to hire ⏺

"For this title, the author wanted a rough, almost cinéma vérité feel to the cover since it deals with the ugliness of tabloid journalism. While using vintage elements like newspapers, etc., can sometimes feel trite and overly nostalgic, I tried to thread the needle by keeping the design bold and graphic while also being restrained and impactful. I believe I was successful, since the cover definitely grabs attention."

The Storm, The Calm and The Growing

Anna A. Blue

Designed by Nejc P.

Available to hire ⏺

"For The Storm, The Calm and The Growing, I aimed for an authentic, raw cover to reflect the story’s tone. I printed, tore, and photographed pieces of the title, and handwrote the author’s name to create a personal, intimate feel. The cover embodies the book’s themes: enduring hardships, finding calm in acceptance, and growing stronger. The tactile, torn typography and natural imagery evoke the emotional depth of the romance while visually representing the protagonist’s journey."

In the Joshua Sea

M. Stillman

Designed by Barış Ş.

Available to hire ⏺

"The cover art aims to visually encapsulate the author's deep connection to Joshua Tree National Park. The challenge was to harmoniously merge the desert landscape with oceanic elements, striking a balance between these contrasting environments. By combining unexpected imagery—such as a whale amidst the desert and Joshua trees—the illustration becomes both captivating and intriguing."

Beyond the Border

Nicole Rogers

Designed by Owen G.

Available to hire ⏺

"The book is an honest memoir of one man's experience through the Korean War and the country's divide to the modern day. The cover, split in half, reflects both the North-South Korea divide and the author's contrasting life experiences. The design symbolizes the divide between past and present, young and old, positive and negative. A serif font grounds it as a serious memoir, while painterly tones and hand-drawn elements add a sensitive, human touch, balancing contrast without being too harsh."