Submitted to: Contest #321

The Interview

Written in response to: "Write a story that only consists of dialogue. "

Fiction Science Fiction Thriller

"Please, have a seat. Can I get you some water?"

"No, thank you. I'm fine."

"Alright then. Let's get started. Your resume is… impressive, Sarah. Head of logistics at a global shipping firm is no small feat."

"Thank you. I enjoyed my time there. Lots of complex problems to solve."

"I can imagine. It says here you managed a team of over two hundred."

"That's right. For the last three years."

"Describe a time you had to make an unpopular decision that benefited the company."

"Of course. In the second quarter of 2024, we had a major supply chain disruption out of the Port of Singapore. The conventional wisdom was to reroute everything through Hong Kong, which would have meant a four-week delay. My team's data suggested a smaller, untested port in Vietnam was viable. It was a huge risk. My superiors were against it. But I made the call. We were only delayed by six days."

"And the fallout?"

"A few sleepless nights, a lot of angry emails for the first 72 hours. And then a very nice bonus at the end of the year. It worked."

"Excellent. You're clearly not afraid of risk. Now, a different kind of question. Imagine a coworker is consistently taking home office supplies. Pens, notepads, nothing major. What do you do?"

"I'd probably have a quiet word with them first. Remind them of company policy. If it continued, I'd have to escalate to HR. It's a small thing, but integrity matters."

"Good. Standard procedure. Now, imagine a different coworker. A historian. They have the ability to alter a minor historical document, say, changing a general's breakfast order on the morning of a key battle. This change, through a butterfly effect, prevents a war that would have killed thousands, but it erases three specific people from existence. They were never born. No one remembers them but you and the historian. Do you report him?"

"...Excuse me?"

"It's a hypothetical. A thought experiment."

"That's… a lot more complicated than stolen pens. I… I don't know. Preventing a war is a massive good. But erasing people? Is that murder? Who am I to make that choice?"

"You're not making the choice. You're deciding whether to report the person who did."

"I... I think I'd need more information. I don't think I could answer that."

"Interesting. No answer is an answer in itself. Let's move on. How do you feel about long periods of isolation?"

"I'm fine with it. In logistics, you spend a lot of time alone with data. I'm self-sufficient."

"I don't mean for a weekend. I mean for years. Decades, perhaps."

"Is that… a component of this role?"

"It can be. Are you married, Sarah?"

"I'm divorced. No children."

"Any family you're close to?"

"My parents passed away a few years ago. I have a sister in Australia, but we're not close."

"Good. That simplifies things. Now, tell me about your dreams."

"My dreams? As in, my career aspirations?"

"No. The ones you have when you're asleep."

"I'm sorry, I don't see how that's relevant to a logistics management position."

"Humor me."

"They're… normal, I guess? Stress dreams about work sometimes. The odd falling dream. Nothing noteworthy."

"Have you ever had the same dream twice?"

"Maybe as a child. I don't think so."

"And the world, Sarah. When you're out and about. Does it feel real to you?"

"What kind of question is that? Of course, it feels real."

"But how do you know? Your brain is just interpreting electrical signals. The taste of coffee, the feeling of rain, the face of a loved one… it's all just data. What if the source of that data wasn't… organic?"

"Okay, what is this job, exactly? The description was for a 'Systems Oversight Director.' It was vague, but I assumed it was about managing complex, dynamic systems."

"It is. The most complex, dynamic system ever created. You've answered everything wonderfully, by the way. Your moral ambiguity, your capacity for isolation, your lack of strong emotional attachments, your very… stable cognitive baseline. You're a perfect candidate."

"A perfect candidate for what?"

"For the job. For my job, to be precise."

"Which is…?"

"Observation. Maintenance. And, in very rare circumstances, intervention. We've found that the system runs best with a human consciousness at its core. A caretaker. Someone to notice the little inconsistencies, the frayed edges."

"What system? What are you talking about?"

"This one. The one you're in right now."

"You mean… this room? This building?"

"Don't be silly. Everything. Your apartment. The traffic you sat in on the way here. Your sister in Australia."

"That's insane."

"Is it? You deal with logistics on a global scale. You know that reality is just a series of interconnected systems. Supply and demand. Cause and effect. We just work on a more fundamental level."

"So you're saying… I'm in a simulation? This is a test?"

"It was a test. It's over now. You passed."

"And if I say no? If I want to leave?"

"That's the part people always struggle with. Leave and go where? This is it. There's no 'outside.' There's just the chair."

"The chair?"

"My chair. The one you're about to inherit. You won't be in this room, of course. That's just a construct for the interview. Your perception will… broaden. You'll see the code. All of it."

"I don't want this. I want to go home."

"Sarah, you are home. Now, there's just the final formality. A simple question."

"..."

"What do you remember about the sky before you came in here today?"

"What? I don't know, it was blue. Overcast. It looked like rain."

"Are you sure? Take your time. What color was it, really?"

"It was blue. Grayish-blue. What does that matter?"

"It's just that… there isn't one. Not anymore. We had to decommission it last cycle to reallocate processing power. It's been a uniform, pearlescent white for three years now. People's memories adapt, of course. The brain fills in the gaps. But a new consciousness… a fresh perspective… that's what we need. Someone who still remembers the blue."

"You're lying."

"Am I? Look out the window."

"There is no window."

"Exactly. Welcome to the job, Sarah."

Posted Sep 19, 2025
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26 likes 21 comments

Nathaniel H
15:17 Sep 30, 2025

Really enjoyed this. Even with the prompt being limited to just dialogue I felt like I could picture it perfectly. Thanks for sharing!

Reply

Pamela Beach
18:20 Oct 01, 2025

Thank you so much! I'm really happy you enjoyed it.
Great feedback! I was really hoping the dialogue could do all the heavy lifting and paint a picture for the reader, so it's wonderful to hear that you could picture it all perfectly.
Thanks again for reading and taking the time to comment!

Reply

Raj Khoja
04:04 Oct 08, 2025

Really I ful enjoy the story. Iam so happy.

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Pamela Beach
18:01 Oct 08, 2025

Thanks so much!

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Raju Chacko
03:21 Oct 08, 2025

Great story! I liked the 'trap' set for Sarah and the part delusional effects that finally seal her fate. Kudos!

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Pamela Beach
18:02 Oct 08, 2025

Thank you! It was challenging and fun to create.

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Peter Flom
10:39 Oct 02, 2025

Good story!

Even though it's "dialogue only" it reads very naturally. And it's an interesting premise, well realized.

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Pamela Beach
18:16 Oct 02, 2025

Thanks, Peter.

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Martha Leonard
19:03 Oct 01, 2025

Oh dear, I was so taken with your story, I left two comments!!!!

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Pamela Beach
19:08 Oct 01, 2025

HaHaHa! All good! I take it as a compliment. Thank you.

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Zack DeHaven
19:01 Oct 01, 2025

A very interesting concept. And very impressive story-telling with dialogue alone. I would have struggled with this prompt.

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Pamela Beach
19:30 Oct 02, 2025

Thank you! I really appreciate that. It was definitely a tricky prompt, and believe me, there were moments I struggled with it, too!

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Martha Leonard
19:00 Oct 01, 2025

As a competitor in this particular section of the contest, I wanted to see how another writer handled it. You did a great job. You got everything in, the development of character, the nuances of setting, the story movement, and the emotional response. Nice work. Good luck.

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Martha Leonard
18:19 Oct 01, 2025

As a competitor in this contest I wanted to see how other writers handled a story written in dialogue only. I am impressed with your ability to convey the mood, develop the character, move the story. and keep my interest without any narrative. The twist of the tale gave me the shivers--I sometimes wonder if the life I perceive as real may be exactly like your story describes!

Reply

Pamela Beach
18:37 Oct 01, 2025

Thank you for your kind and thoughtful words! It means a great deal, especially coming from a fellow writer and competitor in the contest.
The "dialogue only" format was definitely a challenge, so I'm happy to hear that the mood and characters came through for you and that it kept you hooked. Honestly, hearing that the twist gave you the shivers is a fantastic compliment!
And haha, you've hit on exactly what I was hoping to spark with the story! It's that little seed of doubt that's so fun to play with. (Maybe we should all make a point to check for windows before our next big meeting, just in case!)
Thank you again for your comment, and the best of luck to you in the contest!

Reply

Mary Butler
13:50 Oct 01, 2025

This was absolutely gripping! I’m in awe of how much tension and world-building you managed to pack into pure dialogue—seriously impressive. The line that really stuck with me was: “There is no window.” “Exactly.” It gave me chills. The progression from a standard job interview into this surreal, philosophical unraveling was seamless and eerie in the best way. I loved how Sarah’s calm professionalism slowly frayed as the reality around her did, too. It felt like Black Mirror meets The Matrix, but more intimate. You really nailed the slow-burn unease and made every word count. Brilliant concept and execution!

Reply

Pamela Beach
18:13 Oct 01, 2025

Thank you so much for reading and for leaving such a kind and thoughtful comment! I'm glad you enjoyed "The Interview."
It's fantastic to hear that the tension and world-building worked for you through just the dialogue—that was the challenge I set for myself, and I'm so glad it paid off! And yes! I was hoping that final "Exactly" would land with a chill, so I'm smiling knowing that it did.
The comparison to Black Mirror meets The Matrix is honestly the highest compliment you could give; thank you! It was so much fun to write Sarah's journey from a standard, professional interview into that slow, surreal unraveling.
Thanks again for taking the time to read it!

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Lamb Anderson
10:54 Oct 01, 2025

This story is great. I find it impressive that you're able to imerse me so far in a world barely explored. Thank you for sharing.

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Pamela Beach
18:16 Oct 01, 2025

Thank you so much, I'm really glad you enjoyed it!
I especially appreciate you saying that about the immersion. My goal was to hint at a much larger, mysterious world from within that one little room, so it means a lot to know that it came through and you felt pulled in.
Thanks again for reading and for your kind words!

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Rain Jean
02:25 Oct 01, 2025

Loved this. I always like the simulation theories and stories, but even more with the secret developers, people in control, players, and such!

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Pamela Beach
18:17 Oct 01, 2025

Thank you! I'm delighted to hear you enjoyed it.
I'm a huge fan of simulation theory stories, too! I totally agree with you. As fascinating as the simulation itself is, I always find the idea of the secret developers and the people pulling the strings behind the curtain even more compelling. It was a lot of fun to imagine what that "job interview" would be like.
Thanks so much for reading!

Reply

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