Best Independent Publishers in 2024

Publisher of: Fiction

Europa Editions' parent company, Edizione E/O, grew out of a failed venture by Italian couple Sandro Ferri and Sandra Ozzala : a bookstore where thinkers with opposing views could meet for peaceful dialogue. When the political discord proved too daunting for polite reading-room tête-à-têtes, the Ferris, now married, pivoted to publishing. Their American publishing house, Europa Editions, is one of the US’s top publishers of fiction in translation, and they’ve produced more than a few NYT bestsellers, including Elena Ferrante's celebrated Neapolitan Novels. (And yes, they've met the mysterious, pseudonymous author face to face.)

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

This Massachusetts-based press prides itself on the high production value of its titles, which range from novels and creative nonfiction to poetry. They treat their books as art objects — “a joy,” in the press’s own words, “to hold as well as read.” Crack open those impeccably printed pages, and you’ll find artful language, unsurpassed lyricism, and playful experimentation with form, no matter what the genre. The bulk of Tupelo Press's catalogue consists of poetry collections, although they also publish literary fiction and creative nonfiction.

Publisher of: Fiction and Short Fiction

This Manhattan-based press releases 90 books a year, making it relatively big for an indie publisher. It’s especially well-known among mystery connoisseurs for its Soho Crime imprint, which specializes in top-notch thrillers with a strong sense of place, a bit like traditional detective fiction crossed with travelogue. Whether it takes place in Denmark or Thailand, a Soho Crime title will set the scene so vividly you’ll feel you’re walking alongside the detective down those minutely rendered streets. Soho also publishes YA through Soho Teen and literary fiction through Soho Press proper.

Publisher of: Fiction, Nonfiction, and Short Fiction

Catapult Books may have been founded in 2015, but they’ve made a huge impact on the literary scene in just a few years. In fact, they’ve made such a big splash that they managed to acquire an older indie publisher, Counterpoint Press, back in 2016. Post-merger, Catapult’s small, impeccably curated catalog — mostly memoir and literary fiction — continues to exemplify quality over quantity.

Publisher of: Fiction, Nonfiction, and Short Fiction

WTAW Press is an independent, 501(c)(3) nonprofit publisher devoted to discovering and publishing enduring literary works.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Founded in 1974, Graywolf Press is a jewel among independent publishers. The 35 or so titles it releases every year are regularly showered with laurels, from rave NYT reviews to “best of the year” nods. It’s no exaggeration to call Graywolf one of the top publishing houses of any size, despite its relatively modest, $4 million annual budget. No wonder established writers, who have the name recognition to court the Big 5, often opt to stick with this storied small press instead.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Founded in 2002, Noemi Press operates out of Blacksburg, Virginia, where it publishes both new and established writers — especially women, queer people, and people of color. Their titles are often described as part something, part something else, and you can fill in the blanks to build all kinds of fascinating, extremely high-brow combos: say “autofiction” and “sequential critical engagement”, or “family gothic” and “queer historiography”. Even books that don’t have this genre mashup quality feel pieced together, in the best way, mixing forms and textures to produce writing that feels wholly new.

Publisher of: Fiction and Nonfiction

Named after the left-hand page, this left-leaning publisher has been furnishing reading material for prospective revolutionaries since 1970. No wonder Harper’s hailed it as “Anglo-America’s preeminent radical press.” They lean more literary theory than literary fiction, offering sharp, syllabus-ready books across the full slate of humanities and social science disciplines, from Anthropology to Race and Ethnicity. Though many of their writers belong to the professoriate, Verso Books isn’t a university press. Their nonfiction, though intellectually rigorous, tends to be snappier than your usual academic fare.

Publisher of: Nonfiction, Fiction, and Short Fiction

This micro-press releases no more than four books a year. But their tightly curated list has earned them a reputation for producing fiction and nonfiction that’s as accessible as it is groundbreaking. Future Tense Books’ catalogue might be boundary-pushing, but this publisher’s aesthetic is more DIY than avant-garde. They're equally at home with wry short story collections and raw, unprententious memoirs that delve into darkness head-on.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Tin House’s legendary literary magazine may have shuttered its doors 2019, but their book publishing program is still going strong. Originally launched as an Bloomsbury imprint, Tin House Books spun off into an indie publisher in 2005. They release around 12 books a year often from first-time authors. Tin House Books publishes fiction, nonfiction, and poetry, and they have a penchant for lush, character-driven contemporary novels, playful essay collections, and memoirs that delve into complex relationships with uncompromising insight.

Publisher of: Fiction, Nonfiction, and Short Fiction

Founded in 2014, this LA-based publisher is relatively young. But it’s already assembled a formidable stable of talent: rising star Esmé Weijun Wang shares shelf space with Booker, Pulitzer, and Philip K Dick Prize winners. Many of their titles are multicultural family dramas, full of complex relationships and pitch-perfect characterization. However, their catalogue ranges beyond literary fiction to embrace highbrow speculative fiction, collections of journalism, and even self-help books.

Publisher of: Fiction and Nonfiction

Quirk Books is best known for publishing Seth Grahame-Smith’s brilliant decision to mash up Regency romance and B-movie horror, a title that ultimately became an NYT bestseller — not to mention a Lily James-led film. True to its name, this Philly-based indie press injects a whole lot of whimsy into the literary world. Quirk’s publishing program is unabashedly reader-centric, aiming to produce “objects of delight and desire”. Its titles — from humorous essays on celebrity to LGBT-affirming picture books — are clever, irreverent, and eminently giftable.

Publisher of: Fiction, Nonfiction, and Poetry

This Minneapolis-based press takes inspiration from its botanical namesake. Just as milkweed feeds the transformation of caterpillars into monarch butterflies, Milkweed Editions supports emerging and experimental writers, giving them a home for their work to flourish. Its catalogue is an exercise in artistic risk-taking: full of intricately textured novels, cerebral and raw memoirs, and some of the finest verse by young poets.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

This independent publisher emerged in the 1970s, out of second wave feminism’s heyday. Its first print runs were dedicated to foundational women’s studies texts, biographies, and rediscovered feminist literary classics like "The Yellow Wallpaper." These days, FP’s growing list speaks to a much more modern brand of feminism, sensitive to issues of race, sexuality, and gender identity. Since 2017, the press has been headed by Jamia Wilson, its youngest-ever director — and the first woman of color to serve at the organization’s helm. Under her leadership, the press puts out exciting, impeccably crafted books by diverse writers.

Publisher of: Fiction, Nonfiction, and Short Fiction

This San Francisco-based small press has been publishing thoughtful speculative fiction since 1995, sweeping up a full slate of high-profile nominations on the way, from the Hugo to the Nebula and beyond. Their sustained excellence has earned them legendary status in the eyes of hardcore sci-fi fans, although they occasionally dip into other, less speculative genres like memoir and mystery. Tachyon Publications’ bread and butter are its famous science fiction short story collections, which routinely earn glowing reviews from the likes of Booklist and Library Journal.